"When we tell stories, we build bridges instead of walls".
On this episode I'm joined by the captivating Anna Ong, ex-banker turned storyteller and host of the curated storytelling competition What's Your Story Slam, held in Singapore and Manila.
As a storytelling coach, keynote speaker, and guru for corporate leaders who seek to use storytelling as a leadership tool, Anna delves into the power we can unleash by crafting our personal narratives to create connections with other people.
Whether it's on stage or in the boardroom, Anna unveils the gifts we all possess in our experiences when they are crafted into stories we can share with the world.
Anna's own life story is inspirational as she shares how she left behind the security of a banking job to venture out and create her narrative by following her passion for storytelling into a new career.
Prepare to get inspired to tell your own story once you listen to this episode!
Timestamps
(00:01:05) Meet Anna Ong
(00:04:20) The importance of sensory elements in storytelling
(00:12:30) The motivation to tell stories
(00:15:19) Empowering people through storytelling
(00:19:41) Storytelling in leadership
(00:30:04) The Power of Personal Narratives
(00:31:01) The birth of "What's Your Story Slam?"
(00:36:36) Expanding Beyond Storytelling
(00:46:12) The importance of observation and continuous adventures
(00:47:28) Living a life as a story
(00:49:07) Empowering women to speak up
Find out more about Anna and her storytelling work and show here:
And to learn more about Erika:
https://www.linkedin.com/in/erika-behl
1 00:00:00,000 --> 00:00:01,960 We all have walls with us. 2 00:00:01,960 --> 00:00:05,600 And when we tell stories, we build bridges instead of walls. 3 00:00:05,600 --> 00:00:08,480 So imagine it like as a drawbridge. 4 00:00:08,480 --> 00:00:11,040 You know, you have a castle, you have a moat. 5 00:00:11,040 --> 00:00:14,200 So when you're telling a story, you lower down the bridge 6 00:00:14,200 --> 00:00:16,360 so somebody else can cross over. 7 00:00:16,360 --> 00:00:19,320 But you can always lift it up at any time. 8 00:00:19,320 --> 00:00:22,720 Hello, and welcome to Every Moment is a Choice. 9 00:00:22,720 --> 00:00:25,080 I'm your host, Erica Behel, and I 10 00:00:25,080 --> 00:00:27,560 invite you to join me on a transformative journey 11 00:00:27,560 --> 00:00:29,640 to uncover the extraordinary potential that 12 00:00:29,640 --> 00:00:32,640 lies within every single moment of our lives. 13 00:00:32,640 --> 00:00:36,040 From the choices we make in our relationships, careers, 14 00:00:36,040 --> 00:00:38,520 and personal growth, to the mindset 15 00:00:38,520 --> 00:00:40,840 we embrace in the face of adversity, 16 00:00:40,840 --> 00:00:43,640 this podcast will empower you to embrace the notion 17 00:00:43,640 --> 00:00:45,800 that every moment holds a choice, 18 00:00:45,800 --> 00:00:48,520 and it's up to us to seize it. 19 00:00:48,520 --> 00:00:50,880 Join me as we engage in insightful conversations 20 00:00:50,880 --> 00:00:54,360 with thought leaders, experts, and everyday people who 21 00:00:54,360 --> 00:00:57,160 have harnessed the power of choice to achieve greatness, 22 00:00:57,160 --> 00:01:01,200 overcome obstacles, and create extraordinary lives. 23 00:01:01,200 --> 00:01:03,320 If you feel inspired by this episode, 24 00:01:03,320 --> 00:01:05,920 please read it and consider subscribing. 25 00:01:05,920 --> 00:01:09,880 I'm keen to know how it's impacted you. 26 00:01:09,880 --> 00:01:13,240 Today, I am thrilled to have my friend, Anna Ong, 27 00:01:13,240 --> 00:01:14,000 on the podcast. 28 00:01:14,000 --> 00:01:15,040 Hi, Anna. 29 00:01:15,040 --> 00:01:16,360 Hi, Erica. 30 00:01:16,360 --> 00:01:17,040 How are you doing? 31 00:01:17,040 --> 00:01:17,680 I'm great. 32 00:01:17,680 --> 00:01:19,480 Thanks for having me. 33 00:01:19,480 --> 00:01:20,440 Perfect. 34 00:01:20,440 --> 00:01:25,720 So for the listeners, Anna has a very fascinating career, 35 00:01:25,720 --> 00:01:29,400 and she's here to talk today about storytelling. 36 00:01:29,400 --> 00:01:33,200 Anna is an ex-banker turned storyteller. 37 00:01:33,200 --> 00:01:37,800 She's also a keynote speaker, a storytelling and communications 38 00:01:37,800 --> 00:01:39,240 coach. 39 00:01:39,240 --> 00:01:41,720 She's a professional speaker and emcee. 40 00:01:41,720 --> 00:01:44,280 She's an entrepreneur, so she's built a business 41 00:01:44,280 --> 00:01:46,560 around storytelling as well. 42 00:01:46,560 --> 00:01:50,920 She's a social impact investor and advisor and adventurer, 43 00:01:50,920 --> 00:01:53,200 I would say, because I've seen some of the adventures 44 00:01:53,200 --> 00:01:54,560 that she's been on. 45 00:01:54,560 --> 00:01:57,120 She's an aspiring stand-up comedian, 46 00:01:57,120 --> 00:02:00,040 which is fascinating to me as well. 47 00:02:00,040 --> 00:02:02,800 And she is all around a fascinating person. 48 00:02:02,800 --> 00:02:07,360 I first met her when she curates a show called 49 00:02:07,360 --> 00:02:11,680 What's Your Story Slam, which is a curated storytelling 50 00:02:11,680 --> 00:02:14,920 competition in Singapore held a couple of times a year, 51 00:02:14,920 --> 00:02:16,520 a few times a year. 52 00:02:16,520 --> 00:02:19,240 And I took part in this competition last year. 53 00:02:19,240 --> 00:02:22,040 And what struck me about Anna is her ability 54 00:02:22,040 --> 00:02:25,840 to not only entertain, but really enable 55 00:02:25,840 --> 00:02:27,920 people to tell their stories. 56 00:02:27,920 --> 00:02:30,720 And I know that she's on a mission to help people tell 57 00:02:30,720 --> 00:02:32,520 their stories as well. 58 00:02:32,520 --> 00:02:34,320 So welcome, Anna, today. 59 00:02:34,320 --> 00:02:36,720 And like I said, happy to have you. 60 00:02:36,720 --> 00:02:38,200 Well, thanks, Erica. 61 00:02:38,200 --> 00:02:39,840 I'm very happy to be here. 62 00:02:39,840 --> 00:02:44,680 And you forgot to mention that not only did you 63 00:02:44,680 --> 00:02:47,840 tell stories at my stage not once but twice, 64 00:02:47,840 --> 00:02:51,360 she also won the second time. 65 00:02:51,360 --> 00:02:54,360 She placed second the first time she told her story on stage. 66 00:02:54,360 --> 00:02:56,800 And then she won the second time she 67 00:02:56,800 --> 00:03:02,640 decided with her determination to win the Story Slam. 68 00:03:02,640 --> 00:03:04,560 She did. 69 00:03:04,560 --> 00:03:05,160 What can I say? 70 00:03:05,160 --> 00:03:06,960 I'm a goal-oriented person. 71 00:03:06,960 --> 00:03:09,720 And so I did want to compete and win. 72 00:03:09,720 --> 00:03:10,880 We'll talk about that later. 73 00:03:10,880 --> 00:03:15,680 But it was a kind of thing where I feel like storytelling is not 74 00:03:15,680 --> 00:03:17,360 just for the storyteller themselves. 75 00:03:17,360 --> 00:03:20,760 It's also for the audience and making people feel. 76 00:03:20,760 --> 00:03:23,120 And I think that's something we can explore 77 00:03:23,120 --> 00:03:24,320 in our discussion today. 78 00:03:24,320 --> 00:03:26,800 So I want to start with a question. 79 00:03:26,800 --> 00:03:29,240 Because you are a storyteller, what 80 00:03:29,240 --> 00:03:31,880 is a story in the corporate world today 81 00:03:31,880 --> 00:03:34,080 in many people's occupations? 82 00:03:34,080 --> 00:03:35,280 They talk a lot. 83 00:03:35,280 --> 00:03:37,120 They have to give presentations. 84 00:03:37,120 --> 00:03:38,760 There is keynote speaking. 85 00:03:38,760 --> 00:03:40,520 There is stand-up comedy. 86 00:03:40,520 --> 00:03:42,040 There is improv. 87 00:03:42,040 --> 00:03:43,800 What differentiates storytelling 88 00:03:43,800 --> 00:03:45,340 from all those different things? 89 00:03:45,340 --> 00:03:47,120 I would start first in terms of how 90 00:03:47,120 --> 00:03:51,520 I would define storytelling or what storytelling is for me. 91 00:03:51,520 --> 00:03:54,720 So I focus a lot on personal narratives. 92 00:03:54,720 --> 00:03:57,600 And when we say we're sharing a personal story, 93 00:03:57,600 --> 00:04:01,000 it often revolves a moment of change 94 00:04:01,000 --> 00:04:06,600 in terms of how an event has changed you as a person 95 00:04:06,600 --> 00:04:09,240 for better or worse. 96 00:04:09,240 --> 00:04:13,000 So if we're going to define stories specifically, 97 00:04:13,000 --> 00:04:15,800 stories are a series of events that 98 00:04:15,800 --> 00:04:20,520 talk about a change that has happened. 99 00:04:20,520 --> 00:04:24,000 So there are stories in keynote speeches. 100 00:04:24,000 --> 00:04:27,120 There are stories in presentations and stories 101 00:04:27,120 --> 00:04:29,160 in stand-up comedy sets. 102 00:04:29,160 --> 00:04:31,800 If you listen closely, oftentimes, it's 103 00:04:31,800 --> 00:04:34,240 very popular now to see stand-up comedians also 104 00:04:34,240 --> 00:04:36,560 narrate about a certain event. 105 00:04:36,560 --> 00:04:38,960 So there's a bit of a story there, 106 00:04:38,960 --> 00:04:41,360 but not the kind of storytelling I 107 00:04:41,360 --> 00:04:44,760 like people to share on stage. 108 00:04:44,760 --> 00:04:47,800 OK, so stories can be an element of those different things. 109 00:04:47,800 --> 00:04:48,300 Yes. 110 00:04:48,300 --> 00:04:50,800 But tell us more about what is the type of storytelling 111 00:04:50,800 --> 00:04:52,960 that you like to focus on. 112 00:04:52,960 --> 00:04:54,880 So I often tell each storyteller, 113 00:04:54,880 --> 00:04:56,880 when they're going to tell a story on stage, 114 00:04:56,880 --> 00:05:02,800 to imagine it as like a movie in your audience's mind. 115 00:05:02,800 --> 00:05:06,960 So you're telling your stories verbally. 116 00:05:06,960 --> 00:05:10,200 So you need to be able to create a setting. 117 00:05:10,200 --> 00:05:13,200 The audience needs to be able to imagine your story 118 00:05:13,200 --> 00:05:16,560 as if they are living inside your head, too. 119 00:05:16,560 --> 00:05:19,080 They're seeing the world through your eyes. 120 00:05:19,080 --> 00:05:21,080 They're feeling what you're feeling. 121 00:05:21,080 --> 00:05:22,960 And in order for them to do that, 122 00:05:22,960 --> 00:05:26,920 you have to use the senses to explain how you feel. 123 00:05:26,920 --> 00:05:28,920 Don't say, I feel scared. 124 00:05:28,920 --> 00:05:31,640 Scared means different things for different people. 125 00:05:31,640 --> 00:05:33,760 What does scared mean for you? 126 00:05:33,760 --> 00:05:39,440 Is it like, I can feel the hair on my arms start to rise up. 127 00:05:39,440 --> 00:05:40,880 I start feeling goosebumps. 128 00:05:40,880 --> 00:05:45,200 My heart starts beating faster and faster. 129 00:05:45,200 --> 00:05:46,640 And I suddenly feel cold. 130 00:05:49,920 --> 00:05:53,520 Then you don't understand what scared means for me. 131 00:05:53,520 --> 00:05:54,080 Yeah. 132 00:05:54,080 --> 00:05:55,080 And you can feel it. 133 00:05:55,080 --> 00:05:57,040 And you can feel it. 134 00:05:57,040 --> 00:06:00,560 So when we use sensory words, the audience 135 00:06:00,560 --> 00:06:06,560 can start feeling it, too, as if they're living it, which also 136 00:06:06,560 --> 00:06:10,400 is how stories create empathy. 137 00:06:10,400 --> 00:06:15,800 So I'm picking up on the sensory element of good stories, 138 00:06:15,800 --> 00:06:19,360 in that you're not just telling, but you're kind of showing 139 00:06:19,360 --> 00:06:22,320 or making somebody feel what you felt. 140 00:06:22,320 --> 00:06:24,480 And tell us more about that empathy, 141 00:06:24,480 --> 00:06:25,800 because I can see connection. 142 00:06:25,800 --> 00:06:28,680 But how does that evolve into empathy? 143 00:06:28,680 --> 00:06:31,160 So empathy happens when people start 144 00:06:31,160 --> 00:06:32,880 understanding how you feel. 145 00:06:32,880 --> 00:06:38,320 So often, it is about describing how it affects you physically. 146 00:06:38,320 --> 00:06:40,760 I often find we like to take shortcuts 147 00:06:40,760 --> 00:06:43,080 by saying the emotion. 148 00:06:43,080 --> 00:06:46,680 But emotion feels different for different people. 149 00:06:46,680 --> 00:06:50,080 So we need to be able to show, what does it look like? 150 00:06:50,080 --> 00:06:52,200 What does it feel like? 151 00:06:52,200 --> 00:06:55,880 And for people who are struggling to express the words, 152 00:06:55,880 --> 00:06:59,120 I always say, then let's start first with the body. 153 00:06:59,120 --> 00:07:01,440 What does your senses tell you? 154 00:07:01,440 --> 00:07:05,000 Because often, it's almost like listening also 155 00:07:05,000 --> 00:07:06,880 to how your body talks. 156 00:07:06,880 --> 00:07:11,280 So the kind of storytelling I encourage most storytellers 157 00:07:11,280 --> 00:07:16,480 to tell is to really get in touch with your physical senses 158 00:07:16,480 --> 00:07:17,000 as well. 159 00:07:17,000 --> 00:07:19,640 Because often, we tell stories with our head. 160 00:07:19,640 --> 00:07:20,360 And you see it. 161 00:07:20,360 --> 00:07:24,600 You hear it in almost every story that they pitch to you, 162 00:07:24,600 --> 00:07:25,960 whether it's in a presentation. 163 00:07:25,960 --> 00:07:27,920 It's all stories from the head. 164 00:07:27,920 --> 00:07:29,720 But if you want for people to feel, 165 00:07:29,720 --> 00:07:34,040 it has to be both the head, the heart, and the body. 166 00:07:34,040 --> 00:07:36,640 Sometimes they go, we just need the head and the heart. 167 00:07:36,640 --> 00:07:38,400 No, you need the body too. 168 00:07:38,400 --> 00:07:39,400 Wow. 169 00:07:39,400 --> 00:07:41,080 This is fascinating to me. 170 00:07:41,080 --> 00:07:45,320 I have never gone so in-depth into the somatic experience 171 00:07:45,320 --> 00:07:48,840 of storytelling as well and how people experience it. 172 00:07:48,840 --> 00:07:51,120 OK, so this is interesting because you're 173 00:07:51,120 --> 00:07:57,000 talking about having someone experience what you experience, 174 00:07:57,000 --> 00:08:00,480 demonstrating that, having them feel it. 175 00:08:00,480 --> 00:08:01,720 In order to do what? 176 00:08:01,720 --> 00:08:03,720 In order to make them think differently or feel 177 00:08:03,720 --> 00:08:05,120 differently? 178 00:08:05,120 --> 00:08:08,560 So it depends on your goal as a storyteller. 179 00:08:08,560 --> 00:08:12,360 It could only just for them to understand what you've been 180 00:08:12,360 --> 00:08:16,800 through or to see the weight that you carry. 181 00:08:16,800 --> 00:08:19,840 So every storyteller has a different goal 182 00:08:19,840 --> 00:08:21,360 when they're up on stage. 183 00:08:21,360 --> 00:08:25,520 It's either to engage, to entertain, to inspire. 184 00:08:25,520 --> 00:08:30,000 Often, for funny stories, it's to entertain. 185 00:08:30,000 --> 00:08:34,160 Keynote speakers often want to inspire. 186 00:08:34,160 --> 00:08:37,240 So it depends on what your intention is. 187 00:08:37,240 --> 00:08:40,560 And for my stage, it's open-ended. 188 00:08:40,560 --> 00:08:42,600 Each storyteller gets to decide on what 189 00:08:42,600 --> 00:08:44,600 they want to do with that story. 190 00:08:44,600 --> 00:08:45,480 Yeah. 191 00:08:45,480 --> 00:08:48,560 So for people who haven't attended one of her shows, 192 00:08:48,560 --> 00:08:51,960 and I highly recommend you do if you're located in Singapore. 193 00:08:51,960 --> 00:08:53,960 Or in the Philippines, Manila. 194 00:08:53,960 --> 00:08:55,200 Yes, because it's expanding. 195 00:08:55,200 --> 00:08:56,720 It's going global now. 196 00:08:56,720 --> 00:08:59,200 One of the things is that Anna chooses 197 00:08:59,200 --> 00:09:01,880 a theme for each of the shows. 198 00:09:01,880 --> 00:09:05,600 But the theme can be something that is quite high level 199 00:09:05,600 --> 00:09:09,120 and allows interpretation amongst the storytellers 200 00:09:09,120 --> 00:09:12,480 to kind of think of a story that relates to that 201 00:09:12,480 --> 00:09:14,640 or interpret it in their own way and then come up 202 00:09:14,640 --> 00:09:16,000 with their own story around that. 203 00:09:16,000 --> 00:09:18,960 And I've attended several of these shows. 204 00:09:18,960 --> 00:09:21,920 And I've heard, like you're exactly right, 205 00:09:21,920 --> 00:09:27,040 stories that are meant to elicit an understanding of a hardship 206 00:09:27,040 --> 00:09:28,440 that someone went through. 207 00:09:28,440 --> 00:09:30,080 Or it could be a purely funny story. 208 00:09:30,080 --> 00:09:32,640 It could be an embarrassing story. 209 00:09:32,640 --> 00:09:34,880 And I've seen people do all types of things 210 00:09:34,880 --> 00:09:37,040 with that format. 211 00:09:37,040 --> 00:09:40,280 And what do you think the audience takes from it? 212 00:09:40,280 --> 00:09:42,960 I mean, you're giving an opportunity to storytellers. 213 00:09:42,960 --> 00:09:45,480 What are you doing for the audience? 214 00:09:45,480 --> 00:09:49,080 So for the audience, they take what's useful for them. 215 00:09:49,080 --> 00:09:52,600 Because a story is unlike a keynote. 216 00:09:52,600 --> 00:09:55,000 You don't drill down on a main point. 217 00:09:55,000 --> 00:09:59,320 Every audience member listens, experiences your stories 218 00:09:59,320 --> 00:10:00,960 through their own lenses. 219 00:10:00,960 --> 00:10:02,960 So they see things, they feel things 220 00:10:02,960 --> 00:10:04,840 from their own experiences. 221 00:10:04,840 --> 00:10:07,360 So it's already filtered as it goes through them. 222 00:10:07,360 --> 00:10:09,560 So they take what's useful for them. 223 00:10:09,560 --> 00:10:13,320 And you'd often be surprised at what inside people get out 224 00:10:13,320 --> 00:10:15,920 of your story that you may not even see it yourself. 225 00:10:15,920 --> 00:10:18,320 That you're, huh, I never thought about it that way. 226 00:10:18,320 --> 00:10:20,320 But yeah, you're right. 227 00:10:20,320 --> 00:10:23,400 Because they see things through their own lens. 228 00:10:23,400 --> 00:10:25,840 So that's why I always encourage storytellers 229 00:10:25,840 --> 00:10:28,560 to not drill home a point. 230 00:10:28,560 --> 00:10:31,480 Because it's not a keynote. 231 00:10:31,480 --> 00:10:34,720 Let them take what's useful for them. 232 00:10:34,720 --> 00:10:37,400 And let them figure out how the rest of your story 233 00:10:37,400 --> 00:10:40,720 goes if you ended it up on a cliffhanger. 234 00:10:40,720 --> 00:10:41,840 Right. 235 00:10:41,840 --> 00:10:43,000 Interesting. 236 00:10:43,000 --> 00:10:45,040 Because it's true, everybody interprets something 237 00:10:45,040 --> 00:10:46,360 a different way. 238 00:10:46,360 --> 00:10:49,480 And at your shows, when a person is telling a story, 239 00:10:49,480 --> 00:10:52,720 it's not like, OK, and here are the three main takeaways. 240 00:10:52,720 --> 00:10:53,960 There's no takeaways. 241 00:10:53,960 --> 00:10:56,640 The takeaways are up to interpretation. 242 00:10:56,640 --> 00:10:59,520 The takeaways are up to the audience, actually, 243 00:10:59,520 --> 00:11:02,120 the listener, if they want to even have a takeaway. 244 00:11:02,120 --> 00:11:05,280 Or they were like, oh, that was a fun story. 245 00:11:05,280 --> 00:11:08,480 But everybody has different reasons 246 00:11:08,480 --> 00:11:12,000 of wanting to listen to other people's stories. 247 00:11:12,000 --> 00:11:15,720 Some people do it because they look for connection. 248 00:11:15,720 --> 00:11:17,120 They just don't want to feel alone. 249 00:11:17,120 --> 00:11:19,920 Some people do it because it's like gossiping, right? 250 00:11:19,920 --> 00:11:21,720 Listening to somebody tell you their story. 251 00:11:21,720 --> 00:11:24,720 So everybody has different reasons for being there. 252 00:11:24,720 --> 00:11:28,000 And what I like about when people come to storytelling 253 00:11:28,000 --> 00:11:29,960 shows, and I've gone to storytelling shows 254 00:11:29,960 --> 00:11:34,840 other than my own, is that it's a place where you can go alone 255 00:11:34,840 --> 00:11:36,080 and not feel alone. 256 00:11:36,080 --> 00:11:38,840 Because as you're listening to someone tell a story, 257 00:11:38,840 --> 00:11:41,920 there is that magic of suddenly you feel connected, 258 00:11:41,920 --> 00:11:44,880 not just to the storyteller, but with everybody else 259 00:11:44,880 --> 00:11:48,200 in the room because your brain waves start to match. 260 00:11:48,200 --> 00:11:50,280 And there are studies that shows that. 261 00:11:50,280 --> 00:11:52,360 I'll share with you some from Harvard Business. 262 00:11:52,360 --> 00:11:57,320 I think it's Harvard or Stanford, one of the schools in the US, 263 00:11:57,320 --> 00:12:00,960 have done research in terms of brain waves and storytelling. 264 00:12:00,960 --> 00:12:01,880 Wow. 265 00:12:01,880 --> 00:12:04,160 There's a whole psychological element to this. 266 00:12:04,160 --> 00:12:05,560 I mean, there's definitely, you can 267 00:12:05,560 --> 00:12:09,000 understand that there's formulas to good storytelling 268 00:12:09,000 --> 00:12:11,240 and everything and different elements. 269 00:12:11,240 --> 00:12:13,120 But it's really that connection and kind 270 00:12:13,120 --> 00:12:15,400 of a shared experience behind it. 271 00:12:15,400 --> 00:12:18,240 So you talked a little bit about why audience members go 272 00:12:18,240 --> 00:12:20,760 and like to listen to stories. 273 00:12:20,760 --> 00:12:22,440 Now that you've had so many storytellers come 274 00:12:22,440 --> 00:12:25,240 through your workshops and come through your show, 275 00:12:25,240 --> 00:12:27,040 why do people want to go up on stage, 276 00:12:27,040 --> 00:12:29,560 sometimes for the first time, and tell their stories? 277 00:12:29,560 --> 00:12:30,920 What is their motivation? 278 00:12:30,920 --> 00:12:34,080 So people come up on stage and do it different 279 00:12:34,080 --> 00:12:35,680 for various reasons. 280 00:12:35,680 --> 00:12:38,320 Some have a fear of public speaking. 281 00:12:38,320 --> 00:12:42,840 And I often say storytelling is probably the most fun way 282 00:12:42,840 --> 00:12:46,440 to do public speaking because nobody's judging you. 283 00:12:46,440 --> 00:12:49,400 They're grateful that you're opening up to them. 284 00:12:49,400 --> 00:12:53,400 You're honoring them with sharing your gift of stories. 285 00:12:53,400 --> 00:12:57,160 Others want to get better at being a better storyteller. 286 00:12:57,160 --> 00:12:59,520 So others are like, this is going to be another tool 287 00:12:59,520 --> 00:13:00,920 for my tool belt. 288 00:13:00,920 --> 00:13:02,880 I need to do more presentations. 289 00:13:02,880 --> 00:13:04,400 I want to be a better speaker. 290 00:13:04,400 --> 00:13:06,680 I want to be a better storyteller. 291 00:13:06,680 --> 00:13:08,960 Others is like, I have something really funny 292 00:13:08,960 --> 00:13:10,640 and I really want to share it. 293 00:13:10,640 --> 00:13:13,880 So others just want to entertain. 294 00:13:13,880 --> 00:13:17,520 And some people also feel almost compelled. 295 00:13:17,520 --> 00:13:20,800 Like there's a story that's burning inside them. 296 00:13:20,800 --> 00:13:25,480 And the show is a vehicle for them to empower them 297 00:13:25,480 --> 00:13:28,160 or give them permission to share it. 298 00:13:29,520 --> 00:13:32,360 Actually, the heaviest stories probably that I have 299 00:13:32,360 --> 00:13:35,520 would be on my, when I used to have Mixtape, 300 00:13:35,520 --> 00:13:38,160 which is a storytelling showcase of people 301 00:13:38,160 --> 00:13:41,920 who have attended my workshops, my storytelling course, 302 00:13:41,920 --> 00:13:44,600 because they get to choose what story they want to work on. 303 00:13:44,600 --> 00:13:45,880 So I don't give a theme. 304 00:13:45,880 --> 00:13:47,320 They decide on what they want to work on. 305 00:13:47,320 --> 00:13:50,240 And some work on really heavy stories 306 00:13:50,240 --> 00:13:53,320 and others, the things that they have gone through, 307 00:13:53,320 --> 00:13:58,320 but wanna process more, whether it's leaving a relationship 308 00:13:58,520 --> 00:14:02,920 or a death of a parent or overcoming a disability. 309 00:14:02,920 --> 00:14:04,800 So these are heavier stories. 310 00:14:04,800 --> 00:14:08,440 And I call it Mixtape because there is no theme. 311 00:14:08,440 --> 00:14:10,360 The theme is Mixtape. 312 00:14:11,240 --> 00:14:13,560 Of course, I don't know if young people 313 00:14:13,560 --> 00:14:14,720 would understand what Mixtape is, 314 00:14:14,720 --> 00:14:16,440 but I know what a Mixtape is. 315 00:14:16,440 --> 00:14:19,080 Yes, it became a CD. 316 00:14:19,080 --> 00:14:21,280 It was a cassette tape when we were younger, 317 00:14:21,280 --> 00:14:24,080 where you record your favorite songs. 318 00:14:24,080 --> 00:14:26,440 Oh, and if you like someone, you give it to them as a gift 319 00:14:26,440 --> 00:14:28,200 to express how you feel. 320 00:14:28,200 --> 00:14:31,080 And it became CDs and it became mp3 players. 321 00:14:31,080 --> 00:14:34,240 And now it's called the Spotify playlist. 322 00:14:34,240 --> 00:14:35,720 I know, but that's not as, no. 323 00:14:35,720 --> 00:14:36,560 It's not the same. 324 00:14:36,560 --> 00:14:37,800 That's not as much effort 325 00:14:37,800 --> 00:14:38,960 that had to go into that Mixtape. 326 00:14:38,960 --> 00:14:41,400 That was a pure expression of love. 327 00:14:41,400 --> 00:14:44,320 Yeah, because you have to be patient in recording 328 00:14:44,320 --> 00:14:46,880 and taping and compiling it. 329 00:14:49,560 --> 00:14:50,480 Awesome. 330 00:14:50,480 --> 00:14:52,320 So from having told stories on stage, 331 00:14:52,320 --> 00:14:55,920 it can be a very, almost a therapeutic experience, 332 00:14:56,840 --> 00:14:59,320 but it's not necessarily therapy, right? 333 00:14:59,320 --> 00:15:02,520 I mean, it's therapeutic for the storyteller, 334 00:15:02,520 --> 00:15:07,440 but something I believe about telling heavy stories 335 00:15:07,440 --> 00:15:10,920 is that an audience wants to root for you. 336 00:15:10,920 --> 00:15:15,160 They want to find that I went through something very hard, 337 00:15:15,160 --> 00:15:16,440 but now I've beat it. 338 00:15:16,440 --> 00:15:17,280 Yes. 339 00:15:17,280 --> 00:15:19,360 Or now I am a whole new person. 340 00:15:19,360 --> 00:15:22,600 Yes, so the only heavy stories I allow in the show 341 00:15:22,600 --> 00:15:25,280 is the ones that you have already come to terms with 342 00:15:25,280 --> 00:15:27,160 and have a resolution. 343 00:15:27,160 --> 00:15:29,880 Stories that are not resolved, 344 00:15:29,880 --> 00:15:33,000 I tell the storytellers to work with a professional 345 00:15:33,880 --> 00:15:35,440 and come to terms with it. 346 00:15:35,440 --> 00:15:39,720 And once they have, I will help them turn it into a story 347 00:15:39,720 --> 00:15:42,760 that they will be able to use to empower themselves 348 00:15:42,760 --> 00:15:45,040 and also perhaps someone in the audience 349 00:15:45,040 --> 00:15:46,040 who needed to hear it. 350 00:15:46,040 --> 00:15:47,960 Yes, I think that's so important. 351 00:15:47,960 --> 00:15:51,240 There's probably a time and a place for every story. 352 00:15:51,240 --> 00:15:55,320 And if you can resolve it and then tell that story 353 00:15:55,320 --> 00:15:58,280 and have someone feel motivated 354 00:15:58,280 --> 00:16:00,960 by the fact that you got through it, it's a gift. 355 00:16:00,960 --> 00:16:01,800 It is. 356 00:16:01,800 --> 00:16:02,640 It's really a gift. 357 00:16:02,640 --> 00:16:06,080 Yeah, so that's why also I call it the curated story stand 358 00:16:06,080 --> 00:16:10,000 because I have received pitches where it's not resolved yet 359 00:16:10,000 --> 00:16:11,360 and I have to turn them down 360 00:16:11,360 --> 00:16:14,240 because I have to protect the audience as well. 361 00:16:14,240 --> 00:16:15,080 Yeah. 362 00:16:15,080 --> 00:16:16,840 Because as I explained it, 363 00:16:16,840 --> 00:16:19,720 we have a heavy ball that we carry. 364 00:16:19,720 --> 00:16:21,040 When we're telling a story, 365 00:16:21,040 --> 00:16:22,560 we pass the ball to the audience 366 00:16:22,560 --> 00:16:25,720 so that they can feel the weight of your burden. 367 00:16:25,720 --> 00:16:27,880 But then we take it back 368 00:16:27,880 --> 00:16:31,080 because the audience is not supposed to carry it for you. 369 00:16:31,080 --> 00:16:33,600 They're just supposed to be able to feel it, 370 00:16:33,600 --> 00:16:35,400 to understand what you're going through, 371 00:16:35,400 --> 00:16:37,760 but not have to actually be left with it. 372 00:16:38,800 --> 00:16:40,400 That is so profound, Anna. 373 00:16:41,480 --> 00:16:42,920 I've never thought of it that way, 374 00:16:42,920 --> 00:16:45,720 but now it makes total sense 375 00:16:45,720 --> 00:16:46,960 that they can carry the weight, 376 00:16:46,960 --> 00:16:48,480 but then they give it back to you. 377 00:16:48,480 --> 00:16:49,920 And you can take it back too. 378 00:16:49,920 --> 00:16:50,760 You can take it back 379 00:16:50,760 --> 00:16:53,280 because you already have dealt with it. 380 00:16:53,280 --> 00:16:56,480 You know, that's part of your superpower now. 381 00:16:56,480 --> 00:16:57,320 So amazing. 382 00:16:57,320 --> 00:16:58,600 I love that insight. 383 00:16:59,600 --> 00:17:01,840 So we've talked about the storytellers 384 00:17:01,840 --> 00:17:03,960 who come onto your show, 385 00:17:03,960 --> 00:17:07,880 but you also, you go into multinational corporations, 386 00:17:07,880 --> 00:17:10,240 you go into different organizations. 387 00:17:10,240 --> 00:17:13,200 Why are they interested in learning about storytelling? 388 00:17:14,600 --> 00:17:17,280 So for most organizations, 389 00:17:17,280 --> 00:17:21,680 they want to level up their employees' communication skills, 390 00:17:21,680 --> 00:17:24,880 and storytelling is one of the best ways 391 00:17:24,880 --> 00:17:27,760 for their employees to get there. 392 00:17:27,760 --> 00:17:29,960 They can use the storytelling framework 393 00:17:29,960 --> 00:17:32,080 to style their presentations. 394 00:17:32,080 --> 00:17:35,880 They can use stories to bring some of their presentations 395 00:17:35,880 --> 00:17:39,560 to life in terms of when they have to make an explanation 396 00:17:39,560 --> 00:17:43,320 as to why this happened or why we need this. 397 00:17:43,320 --> 00:17:46,000 You can do it in the form of a story. 398 00:17:46,000 --> 00:17:47,920 But often I would tell leaders, 399 00:17:47,920 --> 00:17:49,920 what's more important as leaders 400 00:17:49,920 --> 00:17:52,800 is for you to be able to tell your story. 401 00:17:52,800 --> 00:17:56,720 Because as leaders, you need to be able to build trust. 402 00:17:56,720 --> 00:17:59,160 And what is the formula for trust? 403 00:17:59,160 --> 00:18:04,160 Trust is credibility plus vulnerability, 404 00:18:04,600 --> 00:18:07,560 you know, in parentheses, over risk. 405 00:18:07,560 --> 00:18:11,680 The higher the risk, the greater your credibility, 406 00:18:11,680 --> 00:18:14,600 which we can see from your CV or your track record 407 00:18:14,600 --> 00:18:18,960 or whatever experiences you have, and vulnerability. 408 00:18:18,960 --> 00:18:23,280 Vulnerability is about how well do we know you as a person? 409 00:18:23,280 --> 00:18:25,000 What's the best way to do that? 410 00:18:25,000 --> 00:18:26,480 Through stories. 411 00:18:26,480 --> 00:18:30,080 So I often also work with a lot of leaders 412 00:18:30,080 --> 00:18:33,280 in terms of being able to share stories about themselves, 413 00:18:33,280 --> 00:18:35,400 not just about their triumphs, 414 00:18:35,400 --> 00:18:39,520 but about their pivotal moments when things did not go right. 415 00:18:39,520 --> 00:18:41,120 What did they learn from it? 416 00:18:41,120 --> 00:18:43,920 How did they rise from it? 417 00:18:43,920 --> 00:18:46,480 When did they realize they needed to ask for help 418 00:18:46,480 --> 00:18:48,320 and that they can't do things alone? 419 00:18:48,320 --> 00:18:51,640 These are stories that can engage, inspire, 420 00:18:51,640 --> 00:18:56,640 and make people follow you even in the hardest times. 421 00:18:56,640 --> 00:18:57,480 Wow. 422 00:18:57,480 --> 00:18:59,280 They're great also to connect, 423 00:18:59,280 --> 00:19:03,000 make connections, instantaneous connections with people 424 00:19:03,000 --> 00:19:04,400 when you start sharing your stories. 425 00:19:04,400 --> 00:19:07,480 Because we all have walls with us. 426 00:19:07,480 --> 00:19:11,120 And when we tell stories, we build bridges instead of walls. 427 00:19:11,120 --> 00:19:13,800 So imagine it like as a drawbridge. 428 00:19:14,720 --> 00:19:17,280 You know, you have a castle, you have a moat. 429 00:19:17,280 --> 00:19:19,120 So when you're telling a story, 430 00:19:19,120 --> 00:19:22,640 you lower down the bridge so somebody else can cross over. 431 00:19:22,640 --> 00:19:24,920 But you can always lift it up at any time. 432 00:19:24,920 --> 00:19:26,200 I love that analogy. 433 00:19:26,200 --> 00:19:30,280 I'm already just floating in all these insights and I love it. 434 00:19:30,280 --> 00:19:34,360 So when you work with leaders and you work on storytelling 435 00:19:34,360 --> 00:19:37,640 and maybe incorporating storytelling into their leadership, 436 00:19:37,640 --> 00:19:39,240 what kind of feedback do you get? 437 00:19:39,240 --> 00:19:41,600 Do you hear back from them? 438 00:19:41,600 --> 00:19:42,520 So yes. 439 00:19:42,520 --> 00:19:45,560 So I remember the very first leadership team 440 00:19:45,560 --> 00:19:47,200 I've worked with here in Singapore, 441 00:19:47,200 --> 00:19:49,400 and nobody really understood what I was trying to do 442 00:19:49,400 --> 00:19:50,240 in storytelling. 443 00:19:50,240 --> 00:19:53,760 And they were the first organization to take a chance on me. 444 00:19:53,760 --> 00:19:56,800 And they even watched Watch Your Story, Slam. 445 00:19:56,800 --> 00:19:59,720 And I had them working on their career stories 446 00:19:59,720 --> 00:20:01,160 and told them like, hey, you know, 447 00:20:01,160 --> 00:20:03,960 work in pairs, exchange stories. 448 00:20:03,960 --> 00:20:06,080 And one of the insights they told me was, 449 00:20:06,080 --> 00:20:09,360 Anna, I learned more about her in the 15 minutes 450 00:20:09,360 --> 00:20:13,480 you had us exchanging stories than in the 10 years I had 451 00:20:13,480 --> 00:20:15,320 working with her. 452 00:20:15,320 --> 00:20:16,160 Yeah. 453 00:20:16,160 --> 00:20:19,800 And I go, wow, I gave myself a pat in the back. 454 00:20:19,800 --> 00:20:21,440 Yes, I was able to build bridges, 455 00:20:21,440 --> 00:20:26,000 but also felt a little sad that this is what professional life 456 00:20:26,000 --> 00:20:26,840 is like. 457 00:20:26,840 --> 00:20:28,200 We don't talk about ourselves. 458 00:20:28,200 --> 00:20:29,840 We are afraid to share. 459 00:20:31,200 --> 00:20:33,720 And I still work with that organization. 460 00:20:33,720 --> 00:20:35,720 And I did ask, so how did it go? 461 00:20:35,720 --> 00:20:38,360 And they go like, we work better as a team now, 462 00:20:38,360 --> 00:20:40,880 because after hearing each other's stories, 463 00:20:40,880 --> 00:20:44,240 even if it is what at first career stories, 464 00:20:44,240 --> 00:20:47,440 we stopped seeing them as their job titles, 465 00:20:47,440 --> 00:20:51,920 but start seeing them as people with wants and needs 466 00:20:51,920 --> 00:20:53,560 just like me. 467 00:20:53,560 --> 00:20:56,760 And it's funny because I work first with the leadership team, 468 00:20:56,760 --> 00:20:59,160 then I work with Derwan Downs, 469 00:20:59,160 --> 00:21:00,760 and now I work with other departments 470 00:21:00,760 --> 00:21:02,360 in that organization. 471 00:21:02,360 --> 00:21:03,200 Wow. 472 00:21:03,200 --> 00:21:05,880 So there's tangible benefits to telling stories 473 00:21:05,880 --> 00:21:09,080 and mainly building those bridges and building connections 474 00:21:09,080 --> 00:21:10,960 that you wouldn't have otherwise had. 475 00:21:10,960 --> 00:21:12,680 Yeah, we can tell personal stories 476 00:21:12,680 --> 00:21:13,880 and still stay professional. 477 00:21:13,880 --> 00:21:15,760 Because most people are afraid 478 00:21:15,760 --> 00:21:17,920 when they start telling personal stories, 479 00:21:17,920 --> 00:21:19,360 they lose their privacy. 480 00:21:19,360 --> 00:21:24,360 But oftentimes it's enhancing your professional capabilities 481 00:21:24,480 --> 00:21:26,120 when you're sharing something personal. 482 00:21:26,120 --> 00:21:28,920 So an example of a personal story 483 00:21:28,920 --> 00:21:31,480 is the story of your name. 484 00:21:31,480 --> 00:21:33,640 Like, you know, Erika Bell. 485 00:21:33,640 --> 00:21:36,520 What is the story behind Erika Bell? 486 00:21:36,520 --> 00:21:39,720 Or where does the last name Bell come from? 487 00:21:39,720 --> 00:21:42,200 Or Erika, how did you feel about your name? 488 00:21:42,200 --> 00:21:44,520 What did your mom think when she named you Erika? 489 00:21:44,520 --> 00:21:48,160 Were you named after a certain relative? 490 00:21:48,160 --> 00:21:50,080 Like for me, I go by Anna Ong, 491 00:21:50,080 --> 00:21:51,880 but Anna Ong is actually, 492 00:21:51,880 --> 00:21:56,080 I only started being called Anna Ong in university. 493 00:21:56,080 --> 00:21:59,240 Before that, everyone called me Annalisa. 494 00:21:59,240 --> 00:22:02,160 And Annalisa came when I was about three, 495 00:22:02,160 --> 00:22:04,360 I asked my mom like, why am I Annalisa? 496 00:22:04,360 --> 00:22:06,720 There's like three or four Annalisas in my school. 497 00:22:06,720 --> 00:22:10,840 And my mom said, oh, so you were named 498 00:22:10,840 --> 00:22:14,000 after your grandmother's favorite soap opera, 499 00:22:14,000 --> 00:22:15,720 which was Annalisa. 500 00:22:17,080 --> 00:22:19,120 And I had to think about it 501 00:22:19,120 --> 00:22:22,240 amongst my cousins and my siblings, 502 00:22:22,240 --> 00:22:26,400 I was the only one my grandmother had an influence 503 00:22:26,400 --> 00:22:27,720 in naming. 504 00:22:27,720 --> 00:22:29,840 So I like to think amongst everybody, 505 00:22:29,840 --> 00:22:32,920 amongst her, you know, 20 something grandkids, 506 00:22:32,920 --> 00:22:34,040 I was the favorite. 507 00:22:35,240 --> 00:22:37,000 That's such a cute story. 508 00:22:37,000 --> 00:22:40,280 And it does, it does give me insight into you. 509 00:22:40,280 --> 00:22:42,080 Just, you know, hearing that story. 510 00:22:42,080 --> 00:22:44,200 And yes, it is personal, 511 00:22:44,200 --> 00:22:47,360 but I think it doesn't cross the line over private. 512 00:22:47,360 --> 00:22:48,640 There's personal and private. 513 00:22:48,640 --> 00:22:50,280 And I think that that's sometimes what people 514 00:22:50,280 --> 00:22:52,120 and leaders especially struggle with. 515 00:22:52,120 --> 00:22:53,200 I don't wanna overshare. 516 00:22:53,200 --> 00:22:54,320 Correct. 517 00:22:54,320 --> 00:22:57,720 And it's not oversharing when you're sharing something that, 518 00:22:57,720 --> 00:23:00,400 I mean, my story of my name, it's not common knowledge, 519 00:23:00,400 --> 00:23:02,480 but it's not something I hide either. 520 00:23:02,480 --> 00:23:06,040 It's just more like, it's normally a story you told with, 521 00:23:06,040 --> 00:23:09,080 or your family knows, but you never really think about 522 00:23:09,080 --> 00:23:11,000 sharing it with anybody else. 523 00:23:11,000 --> 00:23:13,120 And yet by sharing that, 524 00:23:13,120 --> 00:23:15,280 you feel closer to the person who opened up 525 00:23:15,280 --> 00:23:17,720 because they told you something that you can't see 526 00:23:17,720 --> 00:23:20,880 on their LinkedIn profile or in their CV. 527 00:23:20,880 --> 00:23:22,080 Yeah, yeah. 528 00:23:22,080 --> 00:23:24,680 So if there was a leader out there listening to this, 529 00:23:24,680 --> 00:23:27,120 one or doing like, how do you know what the threshold is 530 00:23:27,120 --> 00:23:29,320 between personal and private? 531 00:23:29,320 --> 00:23:30,600 What is that? 532 00:23:30,600 --> 00:23:34,480 So if you say it's a secret, it's private. 533 00:23:34,480 --> 00:23:36,560 There are also stuff you do professionally 534 00:23:36,560 --> 00:23:37,560 that you can't talk about. 535 00:23:37,560 --> 00:23:40,520 It's when you have an NDA, that's private. 536 00:23:40,520 --> 00:23:42,960 So there are professional and yet private. 537 00:23:42,960 --> 00:23:45,440 When you say like, oh, you know, it's confidential. 538 00:23:45,440 --> 00:23:48,480 I have to sign an NDA, we have this Chinese wall. 539 00:23:48,480 --> 00:23:51,240 You already know what's professional and private. 540 00:23:51,240 --> 00:23:53,920 Same thing goes for personal and private. 541 00:23:53,920 --> 00:23:56,480 If it's a secret, if it's a family matter, 542 00:23:56,480 --> 00:23:58,320 then perhaps, yes, it is not something 543 00:23:58,320 --> 00:24:00,640 you will talk professionally with your peers. 544 00:24:00,640 --> 00:24:01,920 Yeah, yeah. 545 00:24:01,920 --> 00:24:04,640 But everything else, what your favorite cuisine is, 546 00:24:04,640 --> 00:24:07,920 or like one of your favorite travel destinations, 547 00:24:07,920 --> 00:24:09,920 I think that's okay to share. 548 00:24:09,920 --> 00:24:11,320 Yeah, and it makes you human. 549 00:24:11,320 --> 00:24:12,560 It makes you human, makes you like, 550 00:24:12,560 --> 00:24:14,640 oh, you love Japan too, oh, me too. 551 00:24:17,040 --> 00:24:17,880 Awesome. 552 00:24:17,880 --> 00:24:19,960 So I mean, you came from, 553 00:24:19,960 --> 00:24:21,680 you haven't been a storyteller all your life. 554 00:24:21,680 --> 00:24:23,360 I mean, maybe in certain aspects, 555 00:24:23,360 --> 00:24:27,000 but professionally, you came from banking. 556 00:24:27,000 --> 00:24:29,600 You know, you came from a very hardcore 557 00:24:29,600 --> 00:24:32,320 professional environment where I think they, 558 00:24:32,320 --> 00:24:34,480 you know, the line between personal and professional 559 00:24:34,480 --> 00:24:37,360 is usually very, very rigid. 560 00:24:37,360 --> 00:24:39,640 And you came from that. 561 00:24:39,640 --> 00:24:40,880 Tell us about your background. 562 00:24:40,880 --> 00:24:42,560 How did you get into storytelling? 563 00:24:42,560 --> 00:24:44,840 Well, storytelling was more like something 564 00:24:44,840 --> 00:24:46,640 that I've always enjoyed as a kid. 565 00:24:46,640 --> 00:24:48,280 Like I love reading books. 566 00:24:48,280 --> 00:24:50,320 Since I discovered young adult novels, 567 00:24:50,320 --> 00:24:53,160 I think, I don't know if you remember Sweet Valley. 568 00:24:53,160 --> 00:24:54,960 Sweet Valley High, and Sweet Valley Twins? 569 00:24:54,960 --> 00:24:55,800 Yes. 570 00:24:55,800 --> 00:24:56,640 Oh yeah. 571 00:24:56,640 --> 00:24:58,680 So when I discovered that, 572 00:24:58,680 --> 00:25:01,240 it's as if a whole new world opened up for me 573 00:25:01,240 --> 00:25:02,680 that I didn't know existed. 574 00:25:02,680 --> 00:25:04,120 I mean, I grew up in the Philippines. 575 00:25:04,120 --> 00:25:06,880 So this was like life in California. 576 00:25:06,880 --> 00:25:09,920 So, you know, being blonde and a twin in California, 577 00:25:09,920 --> 00:25:13,160 I wanted a twin when I was reading those books. 578 00:25:13,160 --> 00:25:15,560 So I think I always like stories 579 00:25:15,560 --> 00:25:18,880 because they offer a chance for me to travel. 580 00:25:18,880 --> 00:25:22,400 I travel through time when I read historical stories. 581 00:25:22,400 --> 00:25:24,920 I travel to different places when I read stories 582 00:25:24,920 --> 00:25:26,720 look in various settings. 583 00:25:26,720 --> 00:25:29,720 So it's a form of escape for me. 584 00:25:29,720 --> 00:25:32,040 And when I ran out of books to read, 585 00:25:32,040 --> 00:25:33,960 because growing up in the Philippines at that time, 586 00:25:33,960 --> 00:25:35,920 it was limited, not like now 587 00:25:35,920 --> 00:25:38,720 where everything is at your fingertips. 588 00:25:38,720 --> 00:25:41,080 I wrote my own stories. 589 00:25:41,080 --> 00:25:43,680 And that's pretty much how I started it. 590 00:25:43,680 --> 00:25:46,440 I kind of lost it when I went to university 591 00:25:46,440 --> 00:25:50,680 because, you know, had a life, then got a job in banking. 592 00:25:50,680 --> 00:25:53,280 And I only reconnected with storytelling 593 00:25:53,280 --> 00:25:57,560 was when I quit banking and decided to spend a year 594 00:25:58,960 --> 00:26:01,080 living it as if it were my last. 595 00:26:01,080 --> 00:26:02,520 That was the goal of the year. 596 00:26:02,520 --> 00:26:05,600 Live the year as if it were your last, 597 00:26:05,600 --> 00:26:10,160 which means not thinking about future or serious things 598 00:26:10,160 --> 00:26:13,800 like a job or a career. 599 00:26:13,800 --> 00:26:15,960 And so it was through exploration, 600 00:26:15,960 --> 00:26:19,880 I discovered a comedic art form called storytelling. 601 00:26:19,880 --> 00:26:20,920 Wow. 602 00:26:20,920 --> 00:26:22,480 It was during improv. 603 00:26:22,480 --> 00:26:26,000 At an improv show, we were doing a format called the Armando 604 00:26:26,000 --> 00:26:28,760 where someone has to tell a personal story 605 00:26:28,760 --> 00:26:30,000 and then the rest of your team 606 00:26:30,000 --> 00:26:31,800 creates scenes inspired by the story. 607 00:26:31,800 --> 00:26:34,680 So the Armando is you don't have a monologist, 608 00:26:34,680 --> 00:26:37,440 one of the team members becomes whoever is inspired 609 00:26:37,440 --> 00:26:38,920 to tell the story. 610 00:26:38,920 --> 00:26:43,920 And what's funny was when I was training in improv, 611 00:26:44,000 --> 00:26:48,000 I never could even tell a monologue or a story 612 00:26:48,000 --> 00:26:50,680 because I felt like, oh my God, these Americans, 613 00:26:50,680 --> 00:26:52,560 they like to overshare. 614 00:26:54,360 --> 00:26:57,160 And my brain would freeze, I had zero. 615 00:26:57,160 --> 00:26:59,840 And my coach was saying at the night of our show, 616 00:26:59,840 --> 00:27:02,640 he says like, you know, in improv, there's something magical 617 00:27:02,640 --> 00:27:04,240 that happens. 618 00:27:04,240 --> 00:27:06,160 When you feel your body move, 619 00:27:06,160 --> 00:27:08,640 don't let your head question it, just go with it. 620 00:27:09,440 --> 00:27:12,560 And that night was like, we did one monologue, 621 00:27:12,560 --> 00:27:13,680 we did three scenes, 622 00:27:13,680 --> 00:27:15,600 and then we were just all staring at each other. 623 00:27:15,600 --> 00:27:18,200 Then I felt my feet just go up in the middle of the room 624 00:27:18,200 --> 00:27:20,640 and I started telling a story. 625 00:27:20,640 --> 00:27:24,800 And that was when I knew I wanted to be a storyteller 626 00:27:24,800 --> 00:27:28,360 because it is as if the feeling I had, 627 00:27:28,360 --> 00:27:31,600 if I were to say it in a word, is ecclesiastical. 628 00:27:33,080 --> 00:27:35,800 It's as if the skies opened up 629 00:27:35,800 --> 00:27:38,320 and the angels started singing hallelujah. 630 00:27:38,320 --> 00:27:39,880 Like I could hear it in a head. 631 00:27:39,880 --> 00:27:43,320 And I think it was my brain synapses on fire 632 00:27:43,320 --> 00:27:47,240 that I found that it was that sheer joy 633 00:27:47,240 --> 00:27:49,800 of being able to tell my story. 634 00:27:49,800 --> 00:27:52,880 And then hearing the audience laugh 635 00:27:52,880 --> 00:27:54,160 in moments of the story, 636 00:27:54,160 --> 00:27:56,920 and then getting to see my improv team create scenes 637 00:27:56,920 --> 00:27:59,880 inspired by it, that was super fun. 638 00:27:59,880 --> 00:28:00,720 Yeah. 639 00:28:00,720 --> 00:28:02,600 And what was the story you told? 640 00:28:02,600 --> 00:28:06,560 It was a time when I was at the back of a motorbike 641 00:28:06,560 --> 00:28:09,760 going up to a hostel that's on top of a mountain 642 00:28:09,760 --> 00:28:11,720 with my Samsonite carry-on. 643 00:28:11,720 --> 00:28:13,640 I don't travel like a backpacker, okay? 644 00:28:13,640 --> 00:28:16,360 I had a carry-on, four-wheel carry-on. 645 00:28:16,360 --> 00:28:18,800 And apparently going to these places, 646 00:28:18,800 --> 00:28:21,480 everybody has these 50-liter backpacks 647 00:28:21,480 --> 00:28:23,360 and I had my wheelie. 648 00:28:23,360 --> 00:28:28,360 So the guy had to put the carry-on 649 00:28:28,840 --> 00:28:30,400 in the middle of the handlebars. 650 00:28:30,400 --> 00:28:33,280 And so I was holding to the back of the bike 651 00:28:33,280 --> 00:28:34,560 and we're going up the mountain. 652 00:28:34,560 --> 00:28:36,240 It was rainy, it was muddy. 653 00:28:36,240 --> 00:28:38,400 And then my Samsonite bag was right there 654 00:28:38,400 --> 00:28:39,960 in the middle of the handlebars. 655 00:28:39,960 --> 00:28:40,800 Nice. 656 00:28:40,800 --> 00:28:43,240 And people responded to that, right? 657 00:28:43,240 --> 00:28:44,600 Is that what you felt? 658 00:28:44,600 --> 00:28:45,520 Yeah, they responded. 659 00:28:45,520 --> 00:28:47,720 I think it was because it was in New York. 660 00:28:47,720 --> 00:28:50,320 And so they understood like the city girl, you know, 661 00:28:50,320 --> 00:28:54,160 the parody of being in the middle of a jungle, 662 00:28:54,160 --> 00:28:56,760 going up a mountain with a carry-on. 663 00:28:56,760 --> 00:28:58,280 Yeah, they could relate to it. 664 00:28:58,280 --> 00:28:59,200 Yes. 665 00:28:59,200 --> 00:29:00,040 That's amazing. 666 00:29:00,040 --> 00:29:00,920 So you told the story there, 667 00:29:00,920 --> 00:29:04,120 and this was during your year of kind of 668 00:29:04,120 --> 00:29:05,720 living like it was your last. 669 00:29:05,720 --> 00:29:06,560 Yes. 670 00:29:06,560 --> 00:29:08,080 So did you continue to explore this? 671 00:29:08,080 --> 00:29:10,960 Did you start to tell stories in New York? 672 00:29:10,960 --> 00:29:13,080 Yeah, so I started telling stories in New York, 673 00:29:13,080 --> 00:29:15,880 Washington, D.C., and I started working with startups 674 00:29:15,880 --> 00:29:18,000 on the social impact space, 675 00:29:18,000 --> 00:29:21,440 working with the personal narratives of the founders 676 00:29:21,440 --> 00:29:22,920 and their founding team, 677 00:29:22,920 --> 00:29:26,000 and tying it up with their company's mission and vision. 678 00:29:26,000 --> 00:29:27,840 Because these are the stories, 679 00:29:27,840 --> 00:29:30,400 so we work on it to have these stories be done 680 00:29:30,400 --> 00:29:32,000 in three minutes under. 681 00:29:32,000 --> 00:29:35,120 Because these are the stories they can use for recruitment, 682 00:29:35,120 --> 00:29:37,400 for pitching, to get the point across 683 00:29:37,400 --> 00:29:39,360 at the shortest amount of time possible 684 00:29:39,360 --> 00:29:40,600 as to why I'm doing this, 685 00:29:40,600 --> 00:29:42,640 why I gave up my job in Wall Street, 686 00:29:42,640 --> 00:29:44,360 to work on this startup 687 00:29:44,360 --> 00:29:46,920 that's supposed to help solve a problem. 688 00:29:46,920 --> 00:29:48,440 Why am I taking this risk? 689 00:29:48,440 --> 00:29:50,800 Why am I risking my career for this? 690 00:29:50,800 --> 00:29:52,280 So how they do it is through stories. 691 00:29:52,280 --> 00:29:53,960 And when they meet VCs, 692 00:29:53,960 --> 00:29:55,480 and they meet the founding team, 693 00:29:55,480 --> 00:29:57,080 and everyone shares their stories, 694 00:29:57,080 --> 00:29:58,560 and it's all different, 695 00:29:58,560 --> 00:30:00,240 then they can see the picture 696 00:30:00,240 --> 00:30:02,200 why this team belongs together, 697 00:30:02,200 --> 00:30:04,800 and why they can trust our organization. 698 00:30:04,800 --> 00:30:07,320 My mistake was how I charged my fees. 699 00:30:07,320 --> 00:30:08,800 I should have asked for the percentage 700 00:30:08,800 --> 00:30:10,320 of amount of money they raised. 701 00:30:10,320 --> 00:30:14,240 When I found out how much money they raised 702 00:30:14,240 --> 00:30:16,000 from the stories I worked with them on, 703 00:30:16,000 --> 00:30:20,040 I go, should have charged it differently. 704 00:30:20,040 --> 00:30:21,600 Yes, yes. 705 00:30:21,600 --> 00:30:23,720 So obviously it was a success. 706 00:30:23,720 --> 00:30:25,560 At what point did you start to think, 707 00:30:25,560 --> 00:30:27,800 this is not just something that I enjoy doing, 708 00:30:27,800 --> 00:30:31,360 but this is maybe something I can build a career around. 709 00:30:31,360 --> 00:30:33,440 Oh, it was the moment actually on stage 710 00:30:33,440 --> 00:30:35,200 when I decided I wanted to be a storyteller. 711 00:30:35,200 --> 00:30:36,720 That's it, I just need to figure out 712 00:30:36,720 --> 00:30:38,000 how to make money from it. 713 00:30:38,000 --> 00:30:38,840 Wow. 714 00:30:38,840 --> 00:30:40,600 I already knew I was gonna be in storytelling. 715 00:30:40,600 --> 00:30:41,680 I was doing storytelling. 716 00:30:41,680 --> 00:30:44,160 I don't wanna do anything else but storytelling. 717 00:30:44,160 --> 00:30:46,680 I just need to figure out how to monetize it. 718 00:30:46,680 --> 00:30:49,240 And so you've built a, now, 719 00:30:49,240 --> 00:30:51,880 I mean people talk about things like portfolio careers 720 00:30:51,880 --> 00:30:54,080 with different sources of income. 721 00:30:54,080 --> 00:30:56,560 You've really taken this theme of storytelling 722 00:30:56,560 --> 00:31:00,000 and you've branched out in several areas. 723 00:31:00,000 --> 00:31:01,800 Tell us more about how you've done that. 724 00:31:01,800 --> 00:31:03,600 At first, all I wanted to do 725 00:31:03,600 --> 00:31:06,160 was help people tell better stories. 726 00:31:06,160 --> 00:31:07,880 When I moved to Singapore, 727 00:31:07,880 --> 00:31:09,280 it was because my friends, 728 00:31:09,280 --> 00:31:12,240 after hearing what I was doing in the US with the startups, 729 00:31:12,240 --> 00:31:14,480 said that I can make a bigger impact in Asia 730 00:31:14,480 --> 00:31:15,720 because I'm Asian, 731 00:31:15,720 --> 00:31:19,120 plus Asians need to be better communicators. 732 00:31:19,120 --> 00:31:21,360 Compared to our Western counterparts, 733 00:31:21,360 --> 00:31:25,600 we struggle in Asia to tell stories, better stories. 734 00:31:25,600 --> 00:31:27,000 But when I came back to Singapore, 735 00:31:27,000 --> 00:31:29,080 nobody understood what I was trying to do. 736 00:31:29,080 --> 00:31:32,440 They thought I wanted to become an actress 737 00:31:32,440 --> 00:31:37,240 or work for Universal Studios in a costume. 738 00:31:37,240 --> 00:31:39,880 But my friends' kids thought I had the coolest job 739 00:31:39,880 --> 00:31:42,360 because I was the storyteller. 740 00:31:42,360 --> 00:31:47,360 So it was until I started What's Your Story Slam, 741 00:31:47,920 --> 00:31:51,800 that people start to get the power of personal narratives. 742 00:31:51,800 --> 00:31:56,160 Because then they can see what personal stories is about. 743 00:31:56,160 --> 00:31:57,920 Before What's Your Story Slam, 744 00:31:57,920 --> 00:32:00,320 there were no storytelling shows in Singapore. 745 00:32:00,320 --> 00:32:02,160 If they had, they disappeared 746 00:32:02,160 --> 00:32:04,920 because there's no money in showbiz. 747 00:32:04,920 --> 00:32:09,760 So I would go to stand-up comedy open mic nights 748 00:32:09,760 --> 00:32:11,120 and tell stories there. 749 00:32:11,120 --> 00:32:13,600 But my stories would often fall flat 750 00:32:13,600 --> 00:32:15,080 because the audience in stand-up 751 00:32:15,080 --> 00:32:17,440 are expecting jokes and laughs, 752 00:32:17,440 --> 00:32:18,840 and they don't get, 753 00:32:18,840 --> 00:32:19,720 your story's funny, 754 00:32:19,720 --> 00:32:21,920 but couldn't you get to the joke faster? 755 00:32:22,920 --> 00:32:24,560 So I was unhappy, 756 00:32:24,560 --> 00:32:25,840 and so my friends said, 757 00:32:25,840 --> 00:32:28,000 well, what's stopping you from starting your own show? 758 00:32:28,000 --> 00:32:30,800 And of course the answer was nothing. 759 00:32:30,800 --> 00:32:33,880 So I started What's Your Story Slam. 760 00:32:33,880 --> 00:32:35,440 Not the most original idea 761 00:32:35,440 --> 00:32:36,520 because to be honest, 762 00:32:36,520 --> 00:32:38,080 when they named What's Your Story Slam, 763 00:32:38,080 --> 00:32:40,640 I thought it was gonna be your one show thing. 764 00:32:40,640 --> 00:32:42,200 So I figured, 765 00:32:42,200 --> 00:32:44,280 I'll figure out a more clever name, 766 00:32:44,280 --> 00:32:46,840 but then I just continued on. 767 00:32:46,840 --> 00:32:48,240 So yeah, What's Your Story Slam? 768 00:32:48,240 --> 00:32:49,280 So I started it, 769 00:32:49,280 --> 00:32:51,640 and my first show was mostly my friends, 770 00:32:51,640 --> 00:32:52,720 who I asked, 771 00:32:52,720 --> 00:32:54,040 hey, can you tell the story? 772 00:32:54,040 --> 00:32:55,200 I'll help you. 773 00:32:55,200 --> 00:32:57,920 Because at least I know my friends have interesting stories. 774 00:32:57,920 --> 00:32:58,760 And our first show, 775 00:32:58,760 --> 00:33:00,040 the theme was risk. 776 00:33:00,040 --> 00:33:01,400 Stories of taking chances 777 00:33:01,400 --> 00:33:04,840 because I was taking a chance as well, 778 00:33:04,840 --> 00:33:06,040 doing a show. 779 00:33:06,040 --> 00:33:07,600 I had major imposter syndrome 780 00:33:07,600 --> 00:33:09,080 because I was a banker. 781 00:33:09,080 --> 00:33:11,440 What the heck do I know about producing shows? 782 00:33:11,440 --> 00:33:12,600 None. 783 00:33:12,600 --> 00:33:14,600 And so most people in the audience 784 00:33:14,600 --> 00:33:16,960 were everyone who knew me personally and professionally. 785 00:33:16,960 --> 00:33:19,320 So if the show tanked, 786 00:33:19,320 --> 00:33:20,720 there is no place for me to hide 787 00:33:20,720 --> 00:33:23,000 and I really need to leave Singapore again. 788 00:33:25,160 --> 00:33:27,360 So I had a lot riding that night 789 00:33:27,360 --> 00:33:30,840 and I've never even hosted an event in my life. 790 00:33:30,840 --> 00:33:33,000 So I was terrified, 791 00:33:33,000 --> 00:33:35,400 could not even make eye contact with the audience. 792 00:33:35,400 --> 00:33:37,240 I was so scared. 793 00:33:37,240 --> 00:33:39,200 And we had this horrible lighting too, 794 00:33:39,200 --> 00:33:42,200 because we had to use the movie screen projector light 795 00:33:42,200 --> 00:33:43,960 as our spotlight. 796 00:33:43,960 --> 00:33:46,640 So talk about the really bad lighting. 797 00:33:46,640 --> 00:33:48,600 That was the first show. 798 00:33:48,600 --> 00:33:51,760 Thankfully, the show went well. 799 00:33:51,760 --> 00:33:53,720 Everyone came up to me intermission saying, 800 00:33:53,720 --> 00:33:55,680 we've never seen anything like it. 801 00:33:57,160 --> 00:34:00,640 All the storytellers were so vulnerable on stage. 802 00:34:00,640 --> 00:34:04,880 And I could see also like people just talking to each other. 803 00:34:04,880 --> 00:34:05,960 They don't know each other. 804 00:34:05,960 --> 00:34:08,360 They're talking to the storytellers, 805 00:34:08,360 --> 00:34:10,680 as if they knew them because they heard their story. 806 00:34:10,680 --> 00:34:12,400 And you must have experienced that as well 807 00:34:12,400 --> 00:34:14,120 when after you tell your story, 808 00:34:14,120 --> 00:34:15,280 people are talking to you as if, 809 00:34:15,280 --> 00:34:18,280 I don't know you, but you seem like you know me. 810 00:34:18,280 --> 00:34:20,000 Yeah, absolutely. 811 00:34:20,000 --> 00:34:22,240 And so at the end of the night, actually, 812 00:34:22,240 --> 00:34:23,240 when I was thanking everyone, 813 00:34:23,240 --> 00:34:24,400 I decided to just announce 814 00:34:24,400 --> 00:34:26,840 and we're having our show in the next two months. 815 00:34:26,840 --> 00:34:28,880 And the theme is, yeah. 816 00:34:28,880 --> 00:34:30,840 And it grew from there. 817 00:34:30,840 --> 00:34:33,080 People started helping me find other people 818 00:34:33,080 --> 00:34:34,840 who can tell stories at the show. 819 00:34:34,840 --> 00:34:36,480 Some volunteered. 820 00:34:36,480 --> 00:34:40,280 And I do coach every person, 821 00:34:40,280 --> 00:34:42,400 give feedback to the stories for every person 822 00:34:42,400 --> 00:34:44,080 going up on stage, 823 00:34:44,080 --> 00:34:47,880 because you're sharing something personal, very vulnerable. 824 00:34:47,880 --> 00:34:49,800 And I wanna set you up for success 825 00:34:49,800 --> 00:34:52,840 and also make sure that somebody's holding your hand 826 00:34:52,840 --> 00:34:56,920 along the way, because this is often something new. 827 00:34:56,920 --> 00:34:59,840 And in a way, giving the support that I never had 828 00:34:59,840 --> 00:35:02,160 when I was doing storytelling. 829 00:35:02,160 --> 00:35:04,600 It was everything that I wish I had. 830 00:35:04,600 --> 00:35:06,680 Good lighting, photography. 831 00:35:06,680 --> 00:35:09,720 So it's everything I wish, like nice pictures. 832 00:35:09,720 --> 00:35:11,880 I never had that when I was doing it in New York 833 00:35:11,880 --> 00:35:13,600 and Washington and D.C. 834 00:35:13,600 --> 00:35:16,760 And also nobody to give me feedback and guidance. 835 00:35:16,760 --> 00:35:18,720 So that's what I wanted for myself. 836 00:35:18,720 --> 00:35:21,840 So that's what I put into What's Your Story, Sam. 837 00:35:21,840 --> 00:35:23,400 That's so beautiful. 838 00:35:23,400 --> 00:35:24,800 I've experienced that, 839 00:35:24,800 --> 00:35:27,120 because I know that one thing that you do 840 00:35:27,120 --> 00:35:31,520 at every single show is you get the audience ready. 841 00:35:31,520 --> 00:35:33,880 You go up there and you say, you know what? 842 00:35:33,880 --> 00:35:35,520 When I call this person's name, 843 00:35:35,520 --> 00:35:37,920 you're gonna start clapping as soon as they stand up 844 00:35:37,920 --> 00:35:40,160 out of their seat and walk up to this stage. 845 00:35:40,160 --> 00:35:41,480 Because it's about that support. 846 00:35:41,480 --> 00:35:44,200 It's creating an environment where you know, 847 00:35:44,200 --> 00:35:47,200 okay, these people are gonna at least root for me. 848 00:35:47,200 --> 00:35:48,680 My story might flop in the end, 849 00:35:48,680 --> 00:35:53,400 but Anna's there to make sure that everybody goes up there 850 00:35:53,400 --> 00:35:54,840 in a positive mindset. 851 00:35:54,840 --> 00:35:55,680 I love that. 852 00:35:55,680 --> 00:35:58,080 Yeah, and I also want them to feel that, 853 00:35:58,080 --> 00:36:00,320 especially for people who are doing it for the first time, 854 00:36:00,320 --> 00:36:02,280 especially afraid of public speaking, 855 00:36:02,280 --> 00:36:04,680 I want this to be a positive experience. 856 00:36:04,680 --> 00:36:07,080 To feel what it's like when everyone's clapping for you 857 00:36:07,080 --> 00:36:09,840 and clapping as when you're finished with your story. 858 00:36:09,840 --> 00:36:12,280 Because it's showing support. 859 00:36:12,280 --> 00:36:14,200 But also so that you realize like, 860 00:36:14,200 --> 00:36:16,440 hey, it's not so scary. 861 00:36:16,440 --> 00:36:18,440 I actually enjoyed it. 862 00:36:18,440 --> 00:36:19,880 Maybe I'll do it again. 863 00:36:19,880 --> 00:36:20,720 I love that. 864 00:36:20,720 --> 00:36:22,080 I mean, this show is still ongoing 865 00:36:22,080 --> 00:36:25,000 and it sells out every time. 866 00:36:25,000 --> 00:36:26,520 But I remember you said like, 867 00:36:26,520 --> 00:36:28,560 there's not a lot of money in this. 868 00:36:28,560 --> 00:36:30,680 So then getting back to your own career 869 00:36:30,680 --> 00:36:33,280 and how you're making this, you know, you're an entrepreneur, 870 00:36:33,280 --> 00:36:34,480 you need to make money. 871 00:36:34,480 --> 00:36:36,440 How did you then expand on this? 872 00:36:36,440 --> 00:36:39,360 So through the show, the show is a great marketing arm 873 00:36:39,360 --> 00:36:43,040 because then it's a showcase on my skills as a coach, 874 00:36:43,040 --> 00:36:45,960 as a host, also in terms of crafting the stories. 875 00:36:45,960 --> 00:36:48,640 Because I have a hand in helping each storyteller 876 00:36:48,640 --> 00:36:50,240 craft the stories. 877 00:36:50,240 --> 00:36:53,280 So to fund the show, I do corporate work. 878 00:36:53,280 --> 00:36:56,800 So I do a lot of, I design workshops, 879 00:36:56,800 --> 00:36:58,880 but I've expanded to not just storytelling, 880 00:36:58,880 --> 00:37:01,240 but also in terms of communication skills 881 00:37:01,240 --> 00:37:05,800 because people see how do we then project confidence 882 00:37:05,800 --> 00:37:07,600 when we're up on stage? 883 00:37:07,600 --> 00:37:09,440 Or how do we think on our feet? 884 00:37:09,440 --> 00:37:14,440 Or how do we stay calm even when things are not going right? 885 00:37:14,440 --> 00:37:18,040 So I incorporate improv and storytelling 886 00:37:18,040 --> 00:37:20,160 in all my communications workshop. 887 00:37:20,160 --> 00:37:23,960 Also now working a lot with presence, 888 00:37:23,960 --> 00:37:26,120 how you hold yourself and ground yourself 889 00:37:26,120 --> 00:37:27,560 when you're on stage. 890 00:37:27,560 --> 00:37:31,280 So a lot more focus on body work in terms of the senses. 891 00:37:31,280 --> 00:37:35,480 So it's, I don't teach people to look polished 892 00:37:35,480 --> 00:37:37,040 or something like showmanship. 893 00:37:37,040 --> 00:37:41,080 It's more about feeling comfortable in your own skin 894 00:37:41,080 --> 00:37:44,680 in a way, but performing at an amplified level. 895 00:37:44,680 --> 00:37:48,720 Because when you're speaking or when you have the microphone, 896 00:37:48,720 --> 00:37:50,760 whether you like it or not, you're performing. 897 00:37:50,760 --> 00:37:53,200 And you have to treat it as a performance 898 00:37:53,200 --> 00:37:55,880 or even like when you're competing as a sport, 899 00:37:55,880 --> 00:38:00,280 you rest and you have to make sure you're doing your best. 900 00:38:00,280 --> 00:38:04,240 So that's what I train people to do is to treat it as that. 901 00:38:05,120 --> 00:38:08,200 And I go, I'm not teaching you to be somebody or not, 902 00:38:08,200 --> 00:38:10,760 but I am helping you amplify yourself. 903 00:38:11,920 --> 00:38:15,080 Like how the microphone amplifies your voice. 904 00:38:15,080 --> 00:38:15,920 Right. 905 00:38:16,760 --> 00:38:20,400 Do you find that most people need a bit of support 906 00:38:20,400 --> 00:38:21,240 in that area? 907 00:38:21,240 --> 00:38:24,040 I mean, there are natural storytellers out there. 908 00:38:24,040 --> 00:38:24,920 Since the beginning of time, 909 00:38:24,920 --> 00:38:27,880 there's been people who are great at telling stories, 910 00:38:27,880 --> 00:38:31,640 but do most people actually need a bit of help or coaching 911 00:38:32,520 --> 00:38:34,720 in order to have that presence? 912 00:38:34,720 --> 00:38:38,040 Yes, there are some people, it comes naturally for them 913 00:38:38,040 --> 00:38:42,000 to own the stage, but for most, it needs to be trained. 914 00:38:42,000 --> 00:38:44,120 And it needs about awareness 915 00:38:44,120 --> 00:38:47,560 and being able to understand how your body moves 916 00:38:47,560 --> 00:38:50,120 and also changing mindset. 917 00:38:50,120 --> 00:38:53,720 It's about reframing it because I would always tell people, 918 00:38:53,720 --> 00:38:55,640 when you have the microphone, 919 00:38:55,640 --> 00:38:58,080 you have the highest status in the room 920 00:38:58,080 --> 00:39:02,160 and you gotta own it, embrace it, lean on it. 921 00:39:02,160 --> 00:39:06,160 It's when you don't, that's when you look weak. 922 00:39:06,160 --> 00:39:09,960 But let's put this way, when I'm in front of my clients, 923 00:39:09,960 --> 00:39:11,800 I know like the CEO is there, 924 00:39:11,800 --> 00:39:14,600 he will have more power than me, 925 00:39:14,600 --> 00:39:17,200 but when I'm up on stage, I'm the boss. 926 00:39:17,200 --> 00:39:19,480 Yes, that's so true. 927 00:39:19,480 --> 00:39:21,840 When I get off on stage, hi boss. 928 00:39:21,840 --> 00:39:23,840 Hi boss. 929 00:39:26,040 --> 00:39:27,640 Right, so do you own that power 930 00:39:27,640 --> 00:39:29,800 or do you kind of shrink away from it? 931 00:39:29,800 --> 00:39:31,960 People can tell and that's the body language, 932 00:39:31,960 --> 00:39:33,520 is that necessarily what you're saying? 933 00:39:33,520 --> 00:39:36,840 Exactly, it's your body talks louder than you. 934 00:39:36,840 --> 00:39:38,120 Yeah. 935 00:39:38,120 --> 00:39:40,960 And so often when I attend events, half the time, 936 00:39:40,960 --> 00:39:43,480 I'm just looking at how people speak, 937 00:39:43,480 --> 00:39:46,520 how people sit, how people walk. 938 00:39:46,520 --> 00:39:49,160 And my friends say, don't you even look at the content? 939 00:39:49,160 --> 00:39:52,320 And I go, nah, I'm more interested in what's happening 940 00:39:52,320 --> 00:39:53,400 outside that. 941 00:39:53,400 --> 00:39:56,040 Yeah, I'm taking a lot away from this. 942 00:39:56,040 --> 00:39:59,560 So you got the show, you are now working with, 943 00:39:59,560 --> 00:40:01,480 you're doing kind of a coaching capacity, 944 00:40:01,480 --> 00:40:03,200 we're doing workshops. 945 00:40:03,200 --> 00:40:07,200 What else are you doing to build out your whole repertoire? 946 00:40:07,200 --> 00:40:11,040 So I also work with other schools. 947 00:40:11,040 --> 00:40:14,240 So I teach storytelling for executive education 948 00:40:14,240 --> 00:40:17,080 for other schools as well, like Ivy League schools. 949 00:40:17,080 --> 00:40:20,000 So it's good for branding and presence 950 00:40:20,000 --> 00:40:22,520 and hopefully with my expansion. 951 00:40:22,520 --> 00:40:23,440 Nice. 952 00:40:23,440 --> 00:40:27,120 So what would you, you call yourself, what? 953 00:40:27,120 --> 00:40:29,520 You call yourself a storyteller, you call yourself a coach 954 00:40:29,520 --> 00:40:31,240 or you call yourself all of these things? 955 00:40:31,240 --> 00:40:33,280 I call myself, I'm all of the above, 956 00:40:33,280 --> 00:40:35,400 but often when I only have like, you know, 957 00:40:35,400 --> 00:40:37,800 five seconds to introduce myself, I said, hi, 958 00:40:37,800 --> 00:40:40,520 I'm Anna Ong, I'm an ex-banker turned storyteller. 959 00:40:40,520 --> 00:40:43,360 And often people will wanna go, tell me more. 960 00:40:44,200 --> 00:40:45,040 Right. 961 00:40:45,040 --> 00:40:45,880 And if I have time I go, 962 00:40:45,880 --> 00:40:48,320 I also house a show called What's Your Story Slam 963 00:40:48,320 --> 00:40:50,720 where people share personal stories on stage. 964 00:40:50,720 --> 00:40:52,360 Yeah, yeah. 965 00:40:52,360 --> 00:40:55,120 And I just realized that that snippet, 966 00:40:55,120 --> 00:40:58,200 when you say I'm an ex-banker turned storyteller, 967 00:40:58,200 --> 00:41:00,080 that's a mini story, cause that's a change. 968 00:41:00,080 --> 00:41:01,520 Exactly. 969 00:41:01,520 --> 00:41:02,360 Brilliant. 970 00:41:02,360 --> 00:41:04,640 So brilliant. 971 00:41:04,640 --> 00:41:08,000 Oh, now I'm thinking about how to change my LinkedIn, 972 00:41:08,880 --> 00:41:09,880 my timeline. 973 00:41:09,880 --> 00:41:12,760 Yeah, it's, cause it's like almost like a, 974 00:41:12,760 --> 00:41:14,720 it's almost shorter than an elevator pitch. 975 00:41:14,720 --> 00:41:16,360 It's like a, your handshake. 976 00:41:16,360 --> 00:41:17,480 Yeah. 977 00:41:17,480 --> 00:41:20,120 A story can be that short but powerful. 978 00:41:20,120 --> 00:41:23,120 Yeah, because the shortest story is a six word story 979 00:41:23,120 --> 00:41:24,840 by Ernest Hemingway. 980 00:41:27,320 --> 00:41:31,920 For Sale, baby shoes, never worn. 981 00:41:31,920 --> 00:41:36,120 Oh, that just hit me pretty hard. 982 00:41:36,120 --> 00:41:37,120 It is, right? 983 00:41:37,120 --> 00:41:40,120 I still get the tingles whenever I say it, 984 00:41:40,120 --> 00:41:41,720 because, you know. 985 00:41:41,720 --> 00:41:44,800 So, and I like to play this game too. 986 00:41:44,800 --> 00:41:46,800 What's Your Six Word Story? 987 00:41:46,800 --> 00:41:49,720 Cause everybody has, you can summarize something 988 00:41:49,720 --> 00:41:51,520 in six words. 989 00:41:51,520 --> 00:41:52,960 It's a great exercise. 990 00:41:52,960 --> 00:41:53,800 So powerful. 991 00:41:53,800 --> 00:41:57,080 So we've talked about kind of the craft of storytelling 992 00:41:57,080 --> 00:41:59,120 and how important it is. 993 00:41:59,120 --> 00:42:02,920 If you look at a more macro level or like meta level, 994 00:42:02,920 --> 00:42:07,320 telling our own story, as in putting ourselves out there, 995 00:42:07,320 --> 00:42:10,920 and I don't want to go call it just personal story, 996 00:42:10,920 --> 00:42:12,840 call it just personal branding or anything, 997 00:42:12,840 --> 00:42:14,960 but I've always heard that, you know, 998 00:42:14,960 --> 00:42:17,640 if you don't tell your own story, someone else will. 999 00:42:17,640 --> 00:42:20,880 And especially for women, I don't want to be exclusive here 1000 00:42:20,880 --> 00:42:22,920 and because there are a lot of men who need to learn 1001 00:42:22,920 --> 00:42:24,040 to tell their stories as well. 1002 00:42:24,040 --> 00:42:29,040 But especially for women, I feel like people make assumptions 1003 00:42:29,040 --> 00:42:33,080 about you and unless you're out there telling your own story, 1004 00:42:34,520 --> 00:42:35,920 opportunities might not come to you 1005 00:42:35,920 --> 00:42:38,400 because people are gonna make assumptions about you. 1006 00:42:38,400 --> 00:42:42,400 So how do you then encourage people to tell their own story 1007 00:42:42,400 --> 00:42:44,320 on that more meta level? 1008 00:42:44,320 --> 00:42:48,640 So it depends because, so that's why I write 1009 00:42:48,640 --> 00:42:51,400 and I have What's Your Story Slam to encourage people 1010 00:42:51,400 --> 00:42:55,600 and I find that it's a platform for people who are, 1011 00:42:55,600 --> 00:42:58,160 once they're ready, they will want to tell their story 1012 00:42:58,160 --> 00:42:59,560 up on stage. 1013 00:42:59,560 --> 00:43:04,560 But often, I would often ask women who would hesitate 1014 00:43:04,560 --> 00:43:08,360 to tell their stories, who's stopping you? 1015 00:43:09,400 --> 00:43:11,560 Who's the voice stopping you in your head? 1016 00:43:13,120 --> 00:43:17,360 Because I invite storytellers to always say, 1017 00:43:17,360 --> 00:43:20,640 and everybody actually, your story's a gift 1018 00:43:21,880 --> 00:43:25,200 and you're robbing people of the gift of your story. 1019 00:43:27,240 --> 00:43:31,640 But as I've also told some people, like gifts, 1020 00:43:31,640 --> 00:43:34,760 you may also not like, you don't have to like it. 1021 00:43:34,760 --> 00:43:35,600 Yeah. 1022 00:43:35,600 --> 00:43:36,800 You know, it's a gift. 1023 00:43:36,800 --> 00:43:39,760 They might not like it because it is a gift, 1024 00:43:39,760 --> 00:43:41,840 but it's a gift that you give. 1025 00:43:41,840 --> 00:43:44,120 So in terms of like answering, like how to get them, 1026 00:43:44,120 --> 00:43:46,000 it's living by example. 1027 00:43:46,000 --> 00:43:49,520 I find when, because I share my story, 1028 00:43:49,520 --> 00:43:53,000 a lot of people quickly open up and share their stories 1029 00:43:53,000 --> 00:43:55,080 to me without even me asking. 1030 00:43:55,080 --> 00:43:58,160 I think of one of the first shows I did in Washington, DC, 1031 00:43:58,160 --> 00:44:01,040 I told the story and I felt very raw and vulnerable 1032 00:44:01,040 --> 00:44:03,760 and at the end of the night, I was getting ready to leave. 1033 00:44:03,760 --> 00:44:05,840 I saw a group of girls waiting for me. 1034 00:44:05,840 --> 00:44:08,040 They wanted to talk to me because they felt that 1035 00:44:08,040 --> 00:44:10,960 amongst all the storytellers, I was the only one 1036 00:44:10,960 --> 00:44:13,040 whose story they could relate to because it's still, 1037 00:44:13,040 --> 00:44:16,480 it's like it's happening in their own lives as well. 1038 00:44:16,480 --> 00:44:18,760 And they were sharing all their experiences 1039 00:44:18,760 --> 00:44:20,760 and they're like, I don't know who these people are. 1040 00:44:20,760 --> 00:44:22,160 I just wanna go home. 1041 00:44:22,160 --> 00:44:23,000 Yeah. 1042 00:44:24,240 --> 00:44:26,000 Why am I listening to people's stories? 1043 00:44:26,000 --> 00:44:27,400 Why are they sharing it with me? 1044 00:44:27,400 --> 00:44:29,760 But then it's because you open up. 1045 00:44:29,760 --> 00:44:32,080 So sometimes it's about leading by example. 1046 00:44:32,080 --> 00:44:34,120 That's why we need more people, more women, 1047 00:44:34,120 --> 00:44:36,760 to share their stories so that other women will feel 1048 00:44:36,760 --> 00:44:38,920 empowered to share their stories. 1049 00:44:38,920 --> 00:44:43,120 If I see someone doing it, then it gives them permission. 1050 00:44:44,040 --> 00:44:45,200 Yes. 1051 00:44:45,200 --> 00:44:48,080 I feel like you give a lot of people permission, 1052 00:44:48,080 --> 00:44:51,120 both because you do the curated story show, 1053 00:44:51,120 --> 00:44:54,560 the storytelling show, but also because you're very vocal, 1054 00:44:54,560 --> 00:44:58,360 I mean, on your social media and everything about, 1055 00:44:58,360 --> 00:45:00,360 I don't put myself in a box. 1056 00:45:00,360 --> 00:45:03,000 I'm not just a storyteller, I'm not just this. 1057 00:45:03,000 --> 00:45:06,000 And you are very open. 1058 00:45:06,000 --> 00:45:09,920 People consider LinkedIn, this blurring between professional 1059 00:45:09,920 --> 00:45:12,160 and personal, but you share your struggles, 1060 00:45:12,160 --> 00:45:15,280 your kind of achievements, you share a lot. 1061 00:45:15,280 --> 00:45:18,240 And I think a lot of people gravitate towards that 1062 00:45:18,240 --> 00:45:21,520 because it is vulnerable and they can relate to that. 1063 00:45:21,520 --> 00:45:24,040 Yeah, and I think it's, sometimes people are tired 1064 00:45:24,040 --> 00:45:25,640 of hearing me talk about storytelling, 1065 00:45:25,640 --> 00:45:29,960 so I talk about other things too, like climbing mountains, 1066 00:45:29,960 --> 00:45:31,520 learning how to ride a bicycle. 1067 00:45:31,520 --> 00:45:34,680 That was a long story in the making as well, 1068 00:45:34,680 --> 00:45:37,920 because it was, I mean, I think in therapy, 1069 00:45:37,920 --> 00:45:40,240 they say I have to stop blaming my parents for something, 1070 00:45:40,240 --> 00:45:43,360 but I think my inability to ride a bicycle is on them. 1071 00:45:44,640 --> 00:45:47,960 They never taught me how to ride a bicycle. 1072 00:45:47,960 --> 00:45:50,520 And it's funny because when I admitted that, 1073 00:45:50,520 --> 00:45:53,160 a lot of people came up to me, admit their secret. 1074 00:45:53,160 --> 00:45:56,040 They don't know how to ride bicycles either. 1075 00:45:56,040 --> 00:45:57,480 And everyone always assumed like, 1076 00:45:57,480 --> 00:45:59,640 how could you not know how to ride a bicycle? 1077 00:45:59,640 --> 00:46:01,360 Didn't you not have a childhood? 1078 00:46:01,360 --> 00:46:03,040 But we all have different childhoods. 1079 00:46:03,040 --> 00:46:05,480 And I do have the kind of like a little small community 1080 00:46:05,480 --> 00:46:07,240 of we can't ride a bike club, 1081 00:46:07,240 --> 00:46:09,080 except now I can't be part of it 1082 00:46:09,080 --> 00:46:10,560 because I can ride a bike now. 1083 00:46:10,560 --> 00:46:11,400 Because now you know. 1084 00:46:11,400 --> 00:46:12,400 Yes, now I know. 1085 00:46:12,400 --> 00:46:13,320 Now you know. 1086 00:46:13,320 --> 00:46:16,480 And you've done some crazy adventures, like you just said. 1087 00:46:16,480 --> 00:46:20,080 I mean, one thing I've thought about is, 1088 00:46:20,080 --> 00:46:22,120 how do you come up with stories? 1089 00:46:22,120 --> 00:46:26,240 And I have read things about comedians. 1090 00:46:26,240 --> 00:46:29,320 And I heard that comedians and storytellers 1091 00:46:29,320 --> 00:46:32,680 are actually really good listeners and observers. 1092 00:46:32,680 --> 00:46:34,440 They don't necessarily have to be talking all the time, 1093 00:46:34,440 --> 00:46:36,480 but they pick up on things, 1094 00:46:36,480 --> 00:46:38,720 and then they create stories out of that. 1095 00:46:38,720 --> 00:46:40,480 So do you feel it's just as important 1096 00:46:40,480 --> 00:46:43,440 to have these continuous adventures and everything 1097 00:46:43,440 --> 00:46:46,080 so that you kind of refresh your stories? 1098 00:46:46,080 --> 00:46:47,960 So that's a very interesting point. 1099 00:46:47,960 --> 00:46:49,040 So yes, you're right. 1100 00:46:49,040 --> 00:46:52,040 A lot of my stories actually comes from observations. 1101 00:46:52,040 --> 00:46:56,160 As to it get be inspired by a conversation. 1102 00:46:56,160 --> 00:46:57,800 Like sometimes I'm having dinner with someone, 1103 00:46:57,800 --> 00:46:59,760 someone says something, made me think. 1104 00:46:59,760 --> 00:47:02,160 Like I can create a story out of that. 1105 00:47:02,160 --> 00:47:04,520 But often you hit a point like, 1106 00:47:04,520 --> 00:47:06,560 oh, do we have to go on continuous adventures 1107 00:47:06,560 --> 00:47:08,160 so that we have material? 1108 00:47:08,160 --> 00:47:09,000 Not necessarily. 1109 00:47:09,000 --> 00:47:11,200 I would invite you to think about it this way. 1110 00:47:11,200 --> 00:47:12,760 If we see life as a story, 1111 00:47:12,760 --> 00:47:15,960 because I focus a lot on personal narratives, 1112 00:47:15,960 --> 00:47:18,200 whenever I have to make a decision, 1113 00:47:18,200 --> 00:47:22,200 I ask myself, is this a story I would want to tell? 1114 00:47:23,320 --> 00:47:25,960 And often that kind of gives me a guidance 1115 00:47:25,960 --> 00:47:28,760 as to what am I going to do next? 1116 00:47:28,760 --> 00:47:29,600 Wow. 1117 00:47:29,600 --> 00:47:32,680 So if you're gonna think about what you wanna do, right? 1118 00:47:32,680 --> 00:47:36,080 If you're gonna review your life, what it is before, 1119 00:47:36,080 --> 00:47:37,840 is this a story you wanna tell? 1120 00:47:37,840 --> 00:47:39,280 And if your answer is no, 1121 00:47:39,280 --> 00:47:41,120 then what change do you need to make 1122 00:47:41,120 --> 00:47:43,480 so that you can be able to live a life 1123 00:47:43,480 --> 00:47:45,840 as a story you would want to tell? 1124 00:47:45,840 --> 00:47:48,400 I love that, and very much in theme with 1125 00:47:48,400 --> 00:47:50,600 what I'm trying to do with this podcast as well. 1126 00:47:50,600 --> 00:47:52,120 Yeah, the choices you make. 1127 00:47:52,120 --> 00:47:53,640 Actually, I remember when you said 1128 00:47:53,640 --> 00:47:55,480 every moment is a choice, 1129 00:47:55,480 --> 00:48:00,080 it reminds me of Keith Johnston, an improv guru. 1130 00:48:00,080 --> 00:48:02,440 He said that when you say yes, 1131 00:48:02,440 --> 00:48:05,040 you're rewarded with adventures. 1132 00:48:05,040 --> 00:48:09,000 When you say no, you're rewarded by safety. 1133 00:48:09,000 --> 00:48:11,480 Either choice, you get a reward. 1134 00:48:11,480 --> 00:48:14,400 But where you wanna go is up to you. 1135 00:48:14,400 --> 00:48:15,680 Yes. 1136 00:48:15,680 --> 00:48:16,760 So profound. 1137 00:48:16,760 --> 00:48:18,600 I'm just absorbing that right now, 1138 00:48:18,600 --> 00:48:21,480 because one of my learnings from doing this podcast 1139 00:48:21,480 --> 00:48:23,200 and from my own story is like, 1140 00:48:23,200 --> 00:48:26,400 a lot of society or the values 1141 00:48:26,400 --> 00:48:27,840 that our parents try to instill in us 1142 00:48:27,840 --> 00:48:30,480 tells us what's right and wrong in life. 1143 00:48:30,480 --> 00:48:33,840 When in reality, I don't think there's any right or wrong. 1144 00:48:33,840 --> 00:48:37,080 Like you said, you can be either rewarded by adventures 1145 00:48:37,080 --> 00:48:40,720 or safety or something that's aligned with your values 1146 00:48:40,720 --> 00:48:42,200 or not aligned with your values, 1147 00:48:42,200 --> 00:48:44,240 but something's gonna tell you. 1148 00:48:44,240 --> 00:48:47,720 Usually your body, in a somatic way, 1149 00:48:47,720 --> 00:48:49,560 is gonna tell you I'm on the wrong path. 1150 00:48:49,560 --> 00:48:53,040 Like why am I not choosing the path more aligned 1151 00:48:53,040 --> 00:48:56,240 to who I am and what I stand for? 1152 00:48:56,240 --> 00:48:58,040 So that's very profound. 1153 00:48:58,040 --> 00:49:01,240 So I won't ask you what's next for you. 1154 00:49:01,240 --> 00:49:05,600 I'll ask you what story do you want to tell in the future 1155 00:49:05,600 --> 00:49:07,720 that you aren't able to tell yet? 1156 00:49:07,720 --> 00:49:10,120 Oh, there's a lot. 1157 00:49:10,120 --> 00:49:11,960 So this is why I'm in therapy. 1158 00:49:11,960 --> 00:49:16,960 I would say I wanna be able, probably in the future, 1159 00:49:17,160 --> 00:49:19,320 and I'm still working up the courage to do that, 1160 00:49:19,320 --> 00:49:22,880 stories about to empower women to speak up more 1161 00:49:22,880 --> 00:49:25,560 about the things that we shy away 1162 00:49:25,560 --> 00:49:28,920 because we say that it comes with the cause 1163 00:49:28,920 --> 00:49:31,000 of being a woman in a man's world. 1164 00:49:32,000 --> 00:49:35,000 And the thing is like telling these kinds of stories, 1165 00:49:35,000 --> 00:49:38,120 you also need to prepare yourself for the backlash. 1166 00:49:38,120 --> 00:49:40,240 And preparing for the backlash 1167 00:49:40,240 --> 00:49:42,840 requires a lot of energy as well. 1168 00:49:42,840 --> 00:49:44,840 It's like breaking up with someone. 1169 00:49:44,840 --> 00:49:45,680 It's the same thing. 1170 00:49:45,680 --> 00:49:48,160 It's like when you're finally being able to speak up 1171 00:49:48,160 --> 00:49:49,640 as to what really happened. 1172 00:49:51,440 --> 00:49:53,200 So that's a story you wanna tell in the future. 1173 00:49:53,200 --> 00:49:56,120 So that's a story that I wanna tell in the future. 1174 00:49:56,120 --> 00:49:58,800 I wanna be able to empower people 1175 00:49:58,800 --> 00:50:01,080 to share more of these stories 1176 00:50:01,080 --> 00:50:04,640 so that we don't normalize keeping quiet. 1177 00:50:04,640 --> 00:50:06,440 Well, I know there is like the hashtag me too, 1178 00:50:06,440 --> 00:50:08,200 it disappeared now again. 1179 00:50:08,200 --> 00:50:10,400 So I think we have to normalize 1180 00:50:10,400 --> 00:50:13,160 being able to clearly set our boundaries 1181 00:50:14,160 --> 00:50:16,800 and not be shamed for setting boundaries. 1182 00:50:16,800 --> 00:50:20,040 I think it's so interesting that we're talking about 1183 00:50:20,040 --> 00:50:23,760 storytelling and vulnerability, but also boundaries. 1184 00:50:23,760 --> 00:50:26,360 Yes, because I think it's vulnerable 1185 00:50:26,360 --> 00:50:28,800 to say that you have boundaries, 1186 00:50:28,800 --> 00:50:31,520 to admit that there are lines that nobody can cross 1187 00:50:31,520 --> 00:50:34,080 or you're not ready for other people to cross. 1188 00:50:34,080 --> 00:50:34,920 Yeah. 1189 00:50:34,920 --> 00:50:38,440 And we often, for the sake of niceness, 1190 00:50:38,440 --> 00:50:40,240 we don't tell people our boundaries 1191 00:50:40,240 --> 00:50:43,000 and that's when we start resenting people. 1192 00:50:43,000 --> 00:50:45,600 And so I wanna be able to empower people 1193 00:50:45,600 --> 00:50:48,320 that it's okay to state your boundaries. 1194 00:50:48,320 --> 00:50:50,040 That's a real game changer. 1195 00:50:50,040 --> 00:50:50,880 Yeah. 1196 00:50:50,880 --> 00:50:52,120 Real game changer. 1197 00:50:52,120 --> 00:50:53,800 And I hope you are, I mean, 1198 00:50:53,800 --> 00:50:57,320 I'm so excited to see what you do next because- 1199 00:50:57,320 --> 00:50:58,160 Me too. 1200 00:50:58,160 --> 00:50:59,000 It's evolving. 1201 00:51:00,640 --> 00:51:01,880 I love to see the evolution. 1202 00:51:01,880 --> 00:51:03,880 I love to see your stories. 1203 00:51:03,880 --> 00:51:07,920 And I would encourage anyone who's based in Singapore or- 1204 00:51:07,920 --> 00:51:09,200 Manila. 1205 00:51:09,200 --> 00:51:10,920 Because you've taken What's Your Story Slam 1206 00:51:10,920 --> 00:51:15,280 now to Manila as well, to go out and see one of these shows. 1207 00:51:15,280 --> 00:51:17,800 Because like I said, and like Anna said, 1208 00:51:17,800 --> 00:51:19,840 there's an instant connection you feel with each other. 1209 00:51:19,840 --> 00:51:23,800 It's a very amazing environment to be in. 1210 00:51:23,800 --> 00:51:26,840 And I wanna thank you so much for being here, Anna. 1211 00:51:26,840 --> 00:51:28,080 Well, thank you for having me. 1212 00:51:28,080 --> 00:51:29,640 But can I just say something though 1213 00:51:29,640 --> 00:51:32,440 what someone told me who watched What's Your Story Slam? 1214 00:51:32,440 --> 00:51:34,560 She goes like, you know, What's Your Story Slam? 1215 00:51:34,560 --> 00:51:38,520 It's kinda like a podcast, but live on stage. 1216 00:51:39,400 --> 00:51:42,120 And I thought, I did not think about it that way. 1217 00:51:42,120 --> 00:51:44,760 That was like the first time someone gave me that perspective 1218 00:51:44,760 --> 00:51:47,800 as to What's Your Story Slam is a podcast live. 1219 00:51:48,680 --> 00:51:50,280 It's very similar. 1220 00:51:50,280 --> 00:51:53,040 And I find that, I find podcasting very, 1221 00:51:53,920 --> 00:51:56,760 a good platform for people who are introverted. 1222 00:51:56,760 --> 00:51:58,880 Because you can have deep conversations, 1223 00:51:58,880 --> 00:52:00,720 just like with a story, you're sharing something 1224 00:52:00,720 --> 00:52:03,520 that's maybe from deep inside you. 1225 00:52:03,520 --> 00:52:06,800 But in the safety of an environment of just one other person 1226 00:52:06,800 --> 00:52:08,880 and it just happens to go out to- 1227 00:52:08,880 --> 00:52:09,720 The world. 1228 00:52:09,720 --> 00:52:10,560 The world. 1229 00:52:11,400 --> 00:52:12,520 But you don't have to see them. 1230 00:52:12,520 --> 00:52:13,840 You don't have to see their reactions. 1231 00:52:13,840 --> 00:52:16,040 You're just having that conversation in the moment. 1232 00:52:16,040 --> 00:52:18,600 Yeah, but then remember in the What's Your Story Slam, 1233 00:52:18,600 --> 00:52:20,200 if you're up on stage, the spotlight, 1234 00:52:20,200 --> 00:52:21,440 you don't see anybody either. 1235 00:52:21,440 --> 00:52:22,920 You talk to the void. 1236 00:52:22,920 --> 00:52:24,320 Correct. 1237 00:52:24,320 --> 00:52:26,240 You maybe see one or two faces in the front row. 1238 00:52:26,240 --> 00:52:27,760 Yeah, exactly. 1239 00:52:27,760 --> 00:52:29,560 Yeah, but still connect. 1240 00:52:29,560 --> 00:52:30,760 Yes. 1241 00:52:30,760 --> 00:52:31,600 Lovely. 1242 00:52:31,600 --> 00:52:33,440 So thank you for having me. 1243 00:52:33,440 --> 00:52:34,280 It's a pleasure. 1244 00:52:34,280 --> 00:52:36,040 I love having you and you're always welcome back. 1245 00:52:36,040 --> 00:52:37,040 All right, yay. 1246 00:52:39,320 --> 00:52:41,320 Thank you for listening today. 1247 00:52:41,320 --> 00:52:44,480 I hope this has been a useful investment of your time. 1248 00:52:44,480 --> 00:52:46,720 If you feel inspired by this episode, 1249 00:52:46,720 --> 00:52:49,280 please read it and consider subscribing. 1250 00:52:49,280 --> 00:53:00,280 I'm keen to know how it's impacted you.